If you have a fair amount of music being used on TV you might be interested in this service. I have signed up and can say it’s extremely useful to me to know who is using my music and where. I wrote more about it here. With a followup here.
I’m really happy with them and they are great people to work with. It is the future and well worth the money, if you have a lot of stuff on the air you want to keep track of.
I recently posted this on another thread.
Tunesat seems to be gaining more and more ground in the industry. They have recently announced:
“Universal Music Publishing Group (UMPG), the world’s leading global music publisher, and TuneSat, LLC announced today that they have entered into a deal to utilize TuneSat audio fingerprint technology to monitor performance use of UMPG’s vast copyrights across U.S. broadcast television.”
They have also announced:
“Our BMI/ASCAP comparison report is in beta testing. With this advancement, we look forward to providing users with a customized exception report comparing your PRO royalties against our detection data.”
A recent talk with my SESAC rep would seem to indicate that the initial coverage of SESAC works will extend to back catalog songs, then library/production music. It will probably not include score any time soon, which seems to make good sense – they’re using the ‘fingerprinting’ to dig in the cracks and crevices for things they probably would have missed otherwise.
Hey all,
I’m thinking of using Tunesat but they will not let me join on a trial basis to check out their service.
Has anyone had great results with these guys? I’ve read Art’s blog posts about them, but does anyone have any new information? Thanks..
[Reply]
Art, June 17th, 2010 at 1:23 pm Reply:
Hey oontz,
I’m really happy with them and they are great people to work with. It is the future and well worth the money, if you have a lot of stuff on the air you want to keep track of.
I recently posted this on another thread.
Tunesat seems to be gaining more and more ground in the industry. They have recently announced:
“Universal Music Publishing Group (UMPG), the world’s leading global music publisher, and TuneSat, LLC announced today that they have entered into a deal to utilize TuneSat audio fingerprint technology to monitor performance use of UMPG’s vast copyrights across U.S. broadcast television.”
They have also announced:
“Our BMI/ASCAP comparison report is in beta testing. With this advancement, we look forward to providing users with a customized exception report comparing your PRO royalties against our detection data.”
Hopefully the PROs are getting the message!
[Reply]
Frank, June 17th, 2010 at 2:22 pm Reply:
I believe that SESAC just signed with Tunesat to monitor their catalog.
[Reply]
Art, June 17th, 2010 at 2:42 pm Reply:
Yes, that’s correct SESAC recently signed a deal with them.
[Reply]
Scott, June 17th, 2010 at 6:44 pm Reply:
A recent talk with my SESAC rep would seem to indicate that the initial coverage of SESAC works will extend to back catalog songs, then library/production music. It will probably not include score any time soon, which seems to make good sense – they’re using the ‘fingerprinting’ to dig in the cracks and crevices for things they probably would have missed otherwise.
[Reply]