Carlin Production Music
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| If you are a composer and/or songwriter, please leave your comments and experiences with this company. We want to hear the good as well as the bad! Please rate, from 1 to 10, by clicking on one of the stars. Below is some general information but we make no guarantee of accuracy. Check with the company for all details. Please contact us for any corrections. | ||
| URL: | http://www.carlinmusic.co.uk | |
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| Accepting Submissions: | Yes | |
| Submit Via Uploads: | Unknown | |
| Submit Via Mail: | Unknown | |
| Submissions Reviewed: | Yes | |
| Types Accepted: |
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| Charge For Submissions: | Unknown | |
| Up Front Money: | ||
| Royalty Free: (non-broadcast use) |
Unknown | |
| Exclusivity: (Exclusive, Non, Semi) (Semi = Free to place on own but not with another library) |
Unknown | |
| Re-Title: | Unknown | |
| Set Own Price: | Unknown | |
| Contract Length: | Unknown | |
| Payment Schedule: | Unknown | |
| License Fee Split: (writer/library) |
Unknown | |
| PRO Split Based on 100%: (writer/library writer/library/publisher or writer) |
Unknown | |
| Requires Licensee To File Cue Sheet: | Unknown | |
| Notes: | ||
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Not responsive via their New York and London offices, or good about paperwork; on all non-UK work, one needs to make sure one’s PRO information is filed correctly, as Carlin seems to default to ASCAP, or doesn’t bother to correct PRS information voluntarily. Placements are worldwide, but don’t seem to be high or even medium value.
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