Immediate Music
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| If you are a composer and/or songwriter, please leave your comments and experiences with this company. We want to hear the good as well as the bad! Please rate, from 1 to 10, by clicking on one of the stars. Below is some general information but we make no guarantee of accuracy. Check with the company for all details. Please contact us for any corrections. | ||
| URL: | http://www.immediatemusic.com | |
|---|---|---|
| Accepting Submissions: | No | |
| Submit Via Uploads: | Unknown | |
| Submit Via Mail: | Unknown | |
| Submissions Reviewed: | Unknown | |
| Types Accepted: | Unknown | |
| Charge For Submissions: | Unknown | |
| Up Front Money: | ||
| Royalty Free: (non-broadcast use) |
Unknown | |
| Exclusivity: (Exclusive, Non, Semi) (Semi = Free to place on own but not with another library) |
Unknown | |
| Re-Title: | Unknown | |
| Set Own Price: | Unknown | |
| Contract Length: | Unknown | |
| Payment Schedule: | Unknown | |
| License Fee Split: (writer/library) |
Unknown | |
| PRO Split Based on 100%: (writer/library writer/library/publisher or writer) |
Unknown | |
| Requires Licensee To File Cue Sheet: | Unknown | |
| Notes: | ||
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Categories: Music Libraries H to L | 
Tags: composer, library, music, music library, songwriter | 
4 Comments »
Theyve been around a long time, and are heavy hitters. Theyre not accepting submissions at the moment, but good to keep checking now and then
http://www.immediatemusic.com/core/contact_us.cfm
[Reply]
Yoav is great guy and these guys are the real deal. Just take a look at their credits. If you can find a way to get your music into this library you should jump on it.
[Reply]
Their deal with me has been a 60/30 split of license fees (them/me). They also record the tracks live, and have an amount they have to reach in sales before I get anything (to recoup their large recording/mixing costs). Sounds pretty bad, but considering the large license fees they get, it’s worth it IMO.
[Reply]
Jeff Fayman is a pleasure to deal with. They offer two splits:
50/50 if they do nothing to the track
60/40 if they get the stems from you and mix
Then, there is a 1-time recoup fee if they record anything live
They get large license fees, upwards of $10,000 per one-time usage. So, in a 60/40 split, that’s $4,000 for the composer. If you get just two hits a month, you now have close to a 6-figure salary on this alone. Good deal.
[Reply]