ASCAP to SESAC

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  • #18320 Reply
    Advice
    Participant

    Nothing to say… Just unchecking “Notify Me of follow-up replies by email”…

    Nothing to see here… Move along… šŸ˜‰

    #18321 Reply
    MichaelL
    Participant

    What would you do with music that you own but has been re-titled? Come up with new names and register them with the new PRO, to potentially give them to new non-exclusive libraries / projects? Is this ok?

    I don’t have any music in retitle libraries.

    But, I would say that retitling the same works again, and registering them with a different PRO would not be a good idea, that probably violate your agreement with both PROS and cause significant problems down the road, when digital detection is the norm for BMI and ASCAP.

    In bradymusico’s case that could be now, because SESAC, I believe uses tunesat (or at least accepts) data.

    #18323 Reply
    bradymusico
    Participant

    What would you do with music that you own but has been re-titled? Come up with new names and register them with the new PRO, to potentially give them to new non-exclusive libraries / projects? Is this ok?

    That’s an interesting question, Mark. Early on I chose to go the exclusive route, so I haven’t dealt with a ton of NE retitled cues. I guess, right out of the gate, I would think that if ASCAP is representing a “work” even though the title can change, this would mean that “work,” in whatever form it exists, is subject to ASCAP’s agreement and can’t be rep’d by another PRO. I’m no expert on that, though…just my initial thoughts.

    I agree with MichaelL that the fingerprinting would also present a major headache if they did allow that.

    #18424 Reply
    Musicmatters
    Participant

    Tendered my termination to ASCAP and will hopefully move to SESAC or BMI, if that does not work out. Leaving old catalog at ASCAP. Thanks MLR, for the help and info. Looking forward to better days.

    #18426 Reply
    MichaelL
    Participant
    #18428 Reply
    bradymusico
    Participant

    Just a heads-up.

    http://www.billboard.com/articles/business/6281846/sesac-settles-television-class-action-for-58-million

    Thanks MichaelL. I read that over the weekend! Any thoughts on what you think this could mean for SESAC moving forward…? I still feel like they have a leg up but this case has me questioning how that will translate down the road.

    #18429 Reply
    Musicmatters
    Participant

    Thanks MichaelL, that is quite revealing. Not sure what to make of it though. I suppose the settlement should not affect the cash flow, since it gets taken from the escrow account. One can only wonder what the future agreement with TLMC bodes for us. On the other hand, SESAC seems to be getting into all sorts of other things and is getting very corporatized and is losing that personal touch. Thanks for posting !

    #18430 Reply
    bradymusico
    Participant

    Tendered my termination to ASCAP and will hopefully move to SESAC or BMI, if that does not work out. Leaving old catalog at ASCAP. Thanks MLR, for the help and info. Looking forward to better days.

    Good luck MM!! šŸ™‚

    #18431 Reply
    MichaelL
    Participant

    I could mean that SESAC payments will be more in line with what BMI and ASCAP pay.

    How much you receive would still come down to which PROs do the best job of detecting performances.

    IMO, many agree, both BMI and SESAC are better at detecting and crediting library cues used as background music in TV shows than ASCAP.

    But…there are a lot of variables.

    #32361 Reply
    MM1
    Guest

    I’m headed to sesac I’m not quite sure what to expect but after the transition happens from …….I’m looking forward to the tools and advanced approaches and fresh ways to meet composers and writers like myself….any advice?

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