Home › Forums › General Questions › Working with Higher End Libraries AND Royalty Free Libraries
- This topic has 14 replies, 9 voices, and was last updated 3 years, 11 months ago by Advice.
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- LogikaParticipant
Yes, so why use the pseudonyms when any library can see those pseudonyms via a PRO lookup? Is it thinking /expecting a library will be thrown off course when seeing a pseudo on the RF site, they won’t look /investigate further at the PRO info?
When they check you out to sign you or register a cue they will easily find out.
MichaelLParticipantThe ones I have worked with, never asked or cared. I just try to keep both sides as separate as possible.
Same here.
AdviceParticipantI’m confused. Are people saying that higher end libraries won’t accept your unique, exclusive tracks if you have OTHER tracks in re-title or RF libraries? I would think they only care about the specific tracks they are signing.
It is quite normal for a composer to have a diversified catalog, some music in RF, some in high end exclusive, etc. but not the same tracks in both.
I would **THINK** it would be rare for any library to turn down tracks because you have other deals for different tracks.
Am I missing something?
Mark_PetrieParticipantI know of at least one big ‘PMA’ library that has such a beef with RF sites that they say (at least publicly) that they don’t work with composers with music in RF libraries.
If you ask me, it’s a pretty mean stance to take. RF has helped so many composers make the move from dabbling and doing it as a hobby to a significant income stream, or even moving into it full time.AdviceGuestI’ve heard about that one PMA library owner’s public statement. AFAIK it was not about RF libraries specifically, it was about re-title libraries. He said he won’t work with composers who have music in those NE/RT libraries. However, I’ve also heard he doesn’t necessarily follow through on that. I know composers who have had music accepted into his library and have other tracks in NE/RT libraries.
The bottom line is I wouldn’t worry too much that putting tracks in NE/RT or RF libraries will affect your ability to put OTHER tracks in high end exclusives. That’s exactly the diversification that works for many who make a living at this. 😀
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