Year-End Income Breakdown. Feel free to share yours!

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  • This topic has 12 replies, 10 voices, and was last updated 4 months ago by SMCM.
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  • #39415 Reply
    Mark_Petrie
    Participant

    Thanks for the push to take a look – usually I have a rough idea but last year was a bit wacky, and my numbers were really different from what I usually get. Here’s my breakdown:
    57% performance royalties
    25% mechanicals
    12% sync
    6% upfront

    #39419 Reply
    Music1234
    Participant

    The problem I have with this chart is that it’s too limited in scope. The chart should include:

    1. Writers Royalties earned from PRO
    2. Publisher Royalties Earned PRO
    3. Micro Sync Fees earned for internet syncs (youtube, etc.)
    4. Major Syncs for broadcast Trailers, films, or TV spots
    5. CID Royalties
    6. Mechanical Streaming Royalties
    7. Work For hire fees, Buyouts…(I do not ever sell my tracks but some do)
    8. Neighboring Rights
    9. advance fee (write a cue for a library for a fee, give up pub, but keep writers share)

    #39421 Reply
    SMCM
    Participant

    You can break it down however you want. There aren’t any rules or anything. I just broke it down in the way that was most relevant to my own experience and interests.

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