[Manuel Ochoa]

Hello,
Anyone can say about this concern on using Tunesat ?
What happen if someone has signed with a PRO some years ago but in the previous years of that has granted some Royalty free licenses in NON-PRO websites ??
You need to know which company granted that usages that Tunesat detect, i am alright ?

[Manuel Ochoa]

And i Don’t recommend doing Exclusives, do that only for an upfront money.

[Manuel Ochoa]

Start with Pond5 !

[Manuel Ochoa]

Hi Kubed, Thank you for your reply.
I never entered yet because when i started working on Music libraries most of all ask for Non-PRO music, also i live in Argentina and the PRO here isn’t great catching foreign royalties. Now i’m planing to join a PRO in other country, but if i do this i will include all my catalogue.
Can i ask those 3 or 4 times income you are getting are from music libraries ? publishing companies ?

[Manuel Ochoa]

I’m thinking about joining a PRO but i have to pull off my music for some libraries that give me steady income because don;t allow PRO music, any advice ? will be better changing to PRO model ?

[Manuel Ochoa]

So…PRO royalties come from companies like Jingle Punks for example ? can you share some good publishing companies that give you some PRO income ? if this is not much tu ask !

[Manuel Ochoa]

So it is more an sporadic thing, not a steady income for composers ?

[Manuel Ochoa]

Pond5, shockwave-sound, sound image, production trax, and many others are selling PRO music. Anybody earning money with PRO royalties with the sales on that pages ?

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