angopop

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Viewing 10 posts - 21 through 30 (of 88 total)
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  • in reply to: New Copyright Rules for “Group of Unpublished Works” #32815
    angopop
    Participant

    It seem odd that you can’t name the collection anymore. I used to name my copyright submissions “My Name Collection #1”, etc…

    Now it automatically names it after your first song title then adds “…and 9 Other Unpublished Works”.

    Any idea why that is and what advantage that has?

    in reply to: New Copyright Rules for “Group of Unpublished Works” #32814
    angopop
    Participant

    Thank you, MichaelL, very informative and clear.

    Each song having it’s own registration number seems like a good idea.

    Even though it will cost more as I can submit less songs, it seems like we get a bit more protection if each song is registered separately….

    in reply to: Song Trust #32369
    angopop
    Participant

    LAwriter: Same with me, I signed up with SoundExchange, and they have no money for me. That’s why I’m wondering about SongTrust and these other companies…

    in reply to: Song Trust #32342
    angopop
    Participant

    I’ve been hearing about places like Songtrust and SoundExchange (which I know are set up entirely differently), but my question is this:

    If most of my library music money comes from two sources, AS and P5, who I receive occasional payments from directly as well as through BMI, how will Songtrust and SoundExchange find additional money? Meaning, what will these two entities track and pay on that AS, P5 and BMI aren’t doing? And what will SoundExchange find that Songtrust doesn’t and vice versa?

    in reply to: Registering Cues With Soundexchange and Harry Fox. #32335
    angopop
    Participant

    So the ISRC (and UPC) only relate to sales (physical or digital) but not streaming?

    For some reason I assumed AS was giving me ISRC codes for purposes of the DSP sites….

    in reply to: Registering Cues With Soundexchange and Harry Fox. #32329
    angopop
    Participant

    <The problem with that is that if a library releases your track on a compilation album, theoretically, you can’t release it again, AFAIK. That’s why I don’t let anyone release for me.>

    Art, so does this mean that you don’t have your AS songs streaming on RadioSparx or their other platforms? What do you mean by “you can’t release it again”?

    in reply to: Registering Cues With Soundexchange and Harry Fox. #32300
    angopop
    Participant

    Thanks Art.

    Two related questions for you all:

    I get my ISRC from AS. But the ISRC does not relate to my ‘version’ only the library version. Does this matter?

    How are you guys getting UPC and ISRC codes? Are you sending all your NE tracks to places like CD Baby that include those codes as part of their service? Or are you getting accounts and codes from the ISRC organization for ISRC, and GS1 for UPC?

    in reply to: Registering Cues With Soundexchange and Harry Fox. #32297
    angopop
    Participant

    What does “DSP” refer to in this thread?

    in reply to: De-Duplicate Or Removing Duplicate Tags Website #29455
    angopop
    Participant

    Nice!

    in reply to: Feedback welcome – song is Gather Round #28493
    angopop
    Participant

    Hi Michael, thanks for the “happy vibe” compliment…yes, only the guitars and basses are live, banjo and accordion are midi … I’ve been getting into recording live percussion lately, and that’s a good suggestion — stocking up on noise making percussion.

Viewing 10 posts - 21 through 30 (of 88 total)