Glenn

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  • in reply to: Feedback on a dark cinematic que #31405
    Glenn
    Participant

    Hi there Glenn,
    I agree with needing a couple of change-ups in the track.
    Also, I would let the effects be bigger. Don’t be afraid to let it get more “spatial and etherial” (As well, Bigger Booms!)

    The name that came to mind for me is.. “Too Close For Comfort”.

    Be well, and stay creative!!

    Good tips guys!

    And great naming 🙂

    Thanks Slinger!

    in reply to: Feedback on a dark cinematic que #31400
    Glenn
    Participant

    @Glenn It’s great that you asked for specific feedback like “Does it feel and sound like the title?” Two thoughts.

    1. if you listen to the track with eyes closed, what would a happening on-screen during this cue? And then try to evoke that feeling/mood more specifically through the title.

    2. two change-up in the cue would help: first add/change up the percussion at times AND introducing a counter melody (in the upper range) can help keep the track interesting throughout.

    Thanks Paul!

    in reply to: Using samples in library music #31019
    Glenn
    Participant

    Great, thanks guys! 🙂

    in reply to: Quincy – The Movie #31012
    Glenn
    Participant

    Seen it to. Very interesting 🙂

    in reply to: Using samples in library music #31011
    Glenn
    Participant

    Just a quick little FYI about a conversation I had recently about this very same topic with a “Top 5/Top Tier Library”. Some of the regular longtime composers were turning in cues that had royalty-free samples as the “Main Meat/Main Portion” of the tracks. The same loops were found by different composers in some of their competing libraries. The Guy told me, not ONLY is the company pxxxxd, those people are no longer able to contribute new cues to these libraries.

    A lazy, and a slouchy work ethic literally does not pay..

    Thanks for your reply!

    Would a vocal sample be considered as main portion from a track? In my vision it is only 1 track/instrument of the track. But how others think about it?

    in reply to: Using samples in library music #30997
    Glenn
    Participant

    If a products license agreement is not readily available on the company’s website, I always ask the company to email it to me before I purchase. If all looks agreeable, I purchase the product and print a hard copy of the license agreement for my files.

    Also good practise! Thanks!

    in reply to: Using samples in library music #30990
    Glenn
    Participant

    Hey Cyberk91,

    Yes that helps, my samples are from a different singer but same company.

    Thanks for your reply! 🙂
    Glenn

    in reply to: Using samples in library music #30988
    Glenn
    Participant

    At the moment I’m building a song with beautiful vocal samples from a sample pack. And I am wondering if it is aloud to use them in production music?

    All my arrangement is original only those vocals are not. Is that a problem? On the vocal sample website the announce that the samples are 100% Royalty free. Accept that I can’t find anything. Also in the download map is no agreement or something like that in a document.

    This I can find on there website: You may use these sounds in your own musical productions royalty free. You many not use these sounds in the creation of other sample packs.

    Does the not in the clear also counts just as with other samples to avoid conflicts.

    Hope you guys can shed some light on this issue 🙂

    Thanks!
    Glenn

    in reply to: Music Modernization act: What does it literally mean for us? #30932
    Glenn
    Participant

    I am interested as wel!

    in reply to: BUMA anyone have experience with them? #30850
    Glenn
    Participant

    Not so much dutch musicians over here? 🙂

Viewing 10 posts - 1 through 10 (of 35 total)