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Hi guys,
I wanted to point out another thing that I learned today: My legal name is different than my composer name. I learned today that my two names got different IPI’s! That’s different than at the PRO of my home country, Austria. I now need to go back and correct the mistake. Also weirdly enough, I got two IPI’s under the name “Ulrich Ellison”. Hmmmm……
thanks for the great insights! It seems to me that just like in the “regular” music business, the necessity to adapt and foresee market developments is what makes a successful music industry professional. Or like Bruce Lee would say: Be Like Water!
I’m very new to this business, but I recently exclusively signed 21 of my first 80 tracks to 3 libraries where I had developed a personal relationship. I also had to turn down 1 track offer by a non-ex because I don’t agree with their wording of a non-ex deal/retitling that still claims some sort of exclusivity to my album artist track, especially if audio content recognition will advance at some point like it can be expected to.
In any case, @LAwriter, I’d love to extend my offer to buy you coffee/lunch when I come to LA on Nov 12. Your insights are highly appreciated. Greetings from Austin TX, Ulrich ulrichellison@gmail.com