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MLR Subscription Rates

In order to keep Music Library Report financially feasible and to compensate for my time, I am instituting a payment model for access to the music library listings. All of the other sections of MLR will remain free.

There is another aspect for charging for access. I have noticed that there are generally two types of people that visit this site. Those who want to visit, gain knowledge and leave and those who want to do the same but contribute by getting involved and sharing their knowledge and experience. The next paragraph is for those of you who have been, or want to get, involved.

If you have been a frequent and well reasoned commenter on MLR or want to contribute your time and expertise please read this for free access. If you are a music library owner/rep please contact me regarding free access.

The rates going forward are:

9.95 USD per 7 Days
14.95 USD per 1 Month
49.95 USD per 6 Months
89.95 USD per 1 Year
149.95 USD per 100 Years – Hah!

These are one time charges and do NOT automatically renew.

Visitors who are short of funds can work their way to free access by helping to build MLR’s content.

1.) There are a number of libraries on MLR that need their details section updated. Supplying the information for 5 of those sites (I will assign them to you) will get you 3 months free access.

2.) Find an advertiser and get an equal dollar amount (rounded down) in access time. As an example: An advertiser you bring purchases a $60 one month banner ad. You would receive 6 months free access ($49.50 value).

3.) Write a review on your favorite piece of software or hardware. Must be original, at least 500 words and get a free month. Please do not cut and paste from an existing review!

4.) Finally, being a frequent and well reasoned commenter will also gain you free access to the listings. This will be determined on a case by case basis.

Thanks for your help, understanding and support!

Art

Home » Blog » Page 21

Toilet Humor

Hey all, a few bits of toilet humor have leaked into the conversation (pun intended) in the last few days but we ain’t going there so they have been removed. Just a heads up for those contemplating more of the same.

Home » Blog » Page 21

State of the music biz

Someone just posted this on the FMPro list and I couldn’t resist. Nothing changes but the changes!

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Never, in all our history of popular music, has there been such a plethora of composers – professional, amateur, alleged – as we have today. Responsible, of course, are those two fresh hotbeds, the coniferous cinema and the radio.

The merciless ether – by unceasing plugging – has cut down the life of a popular song to but a few weeks, with the result that anyone who thinks he can carry a tune – even if it’s nowhere in particular – nowadays takes a ‘shot’ at music-making.”

George Gershwin, ranting in the New York World Sunday Magazine, May, 1930.

Home » Blog » Page 21

The Composer’s Revenge

Robin and I were talking yesterday morning about the general downward trend in the value of music. It’s a shame that there is no organization for composers that would enable us to stand up against the media companies that help drive this trend. Of course trying to start such an organization would be like trying to herd cats! Those kinds of organizations have been tried before but really do not work. The truth is there is far to much content for the amount of demand and fighting the media companies can be like fighting city hall.

Thinking a bit outside the box there is a way to benefit from this. The media companies have all the clout and they are all about creating value for their shareholders. So (not intended as investment advice) years ago I stared investing in T Rowe price Media & Telecom fund (PRMTX). Since it’s inception in 1993 the fund has averaged over 14% per year. It took a big hit in 2009 but like all things it’s about patience and persistence. Just a thought for those who want to walk and play on the dark side:-)

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TuneSat LLC Secures a $6 Million Funding Round

As you know I’m a big fan of Tunesat so it’s nice to hear that they are growing. Also I did not know that they monitored uses on the Internet.

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TuneSat LLC Secures a $6 Million Funding Round Led by
General Electric Pension Trust

May 19, 2011 (New York, NY) – TuneSat LLC, an audio fingerprinting technology company that enables music rights holders to track the usage of their music on TV and the Internet, announced today that it has raised over $6 million in a funding round led by General Electric Pension Trust, advised by GE Asset Management. Scott Jones, Founder and CEO of ChaCha and former CEO and Chairman of Gracenote, together with several existing TuneSat investors, also participated in the round.  Jones and Carlos Monfiglio of GE Asset Management will join TuneSat’s Board of Directors.  TuneSat will utilize the new equity capital to expand the global reach of its content monitoring services.

“TuneSat is revolutionizing the music industry by giving content owners the tools and business intelligence to take total control of where and when their music is performed,” said Scott Schreer, CEO, TuneSat. “We’re thrilled to be partnering with GE Asset Management and Scott Jones to help us fulfill our vision.”

“TuneSat’s robust technology makes them an indispensable partner for content companies,” said Carlos Monfiglio, GE Asset Management. “We see this as a critical piece to the new media distribution landscape.”

Scott Jones added, “TuneSat’s ability to monitor the use of music in difficult audio environments is unparalleled, and this new equity financing will give the company a big boost to significantly expand its services.”

Founded by BMI award-winning “NFL On Fox Theme” composer and producer Scott Schreer, along with composer/producer Chris Woods, TuneSat provides rights holders with near-real time visibility into when and where their music is being performed on TV and the Internet. TuneSat utilizes a proprietary audio fingerprint technology and monitors hundreds of broadcasters and millions of websites across the globe.  An intuitive web interface gives its subscribers unprecedented knowledge about their audio performances, even in the noisiest of broadcast environments. Using TuneSat data, content owners can ensure that they are properly paid for licensed music while protecting themselves against its unauthorized use.

About TuneSat LLC
TuneSat employs its exclusive audio fingerprint technology to deftly detect music use on television broadcasts and the Internet. Led by tech-savvy composers and producers Scott Schreer and Chris Woods, TuneSat detects music in even the noisiest of broadcast environments, including under dialogue, sound effects, or voiceovers, and provides unrivaled, accurate reporting to its clients. With a TuneSat subscription, access to worldwide detection data is available 24/7/365 through a secure online portal within an hour of its broadcast. Detailed reports provide valuable information about when, where and how much music was used. TuneSat is actively monitoring more than 200 channels in the US, UK, France, Germany and Italy, with more territories to come, and is crawling millions of websites daily.   TuneSat LLC is based in New York City. For more information, please visit www.tunesat.com

About GE Asset Management Incorporated
GEAM is a global asset manager wholly owned by GE, an advanced technology, services and finance company taking on the world’s toughest challenges. Built on an 80-year heritage of investment experience, GEAM, along with its subsidiaries, today manages approximately $122 billion (as of March 31, 2011) in total assets. Portfolios managed by GEAM and its subsidiaries include client assets for leading institutions around the world, and the $47 billion GE Pension Trust. Investment strategies are offered across all major asset classes, including U.S. and non-U.S. equities, fixed income, and private equity and other alternative assets.  For more information please visit www.geam.com

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