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Art, thanks for the additional info. I had that 2nd chord voiced from 6th string to 1st string at frets 3-X-0-0-3-0 I missed the F# – where did you put it
They are all 4 string chords. The 2nd chord is G on D string 5th fret 1st finger, D on the G string 7th fret 2nd finger, F# on the B string 7th fret and the E string open. It’s the finger picking pattern that seems to meld it all together.
Very nice track Art! That one has staying power. A tune like that doesn’t go out of style.
Full credit here. Robin came up with the chord changes and I interpreted it. Great to have a musical spouse!
BTW, thanks Kevin for the kind words!
It’s the finger picking pattern that seems to meld it all together.
It really does! Thanks Art.
Thanks Art for the info and knowledge. Being a kybd player, I heard the first chord I call it D add9. The second chord stumped me due to the missing 3rd because I think keyboard players don’t do that as much (unless it’s a sus).
Anyway I do have a couple signature type tracks that have done well for me. These were two of the very first tracks I wrote when getting in to production music almost 10 years ago. They’ve been on dozens of shows and other uses.
Scroll down a bit to the JAZZ section of the page and hear 3 O’Clock Bump and 1920’s Jazz.Great stuff Michael Nickolas and Composer Of Notes. Thanks for sharing!
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