[MartinH]

As a relative newbie to library music living outside the US I’ve been wondering about this also… Are there any experienced writers outside of the US registered with a non-US PRO who could enlighten us on this:

How long do you find that it takes from that a track is licensed (in the US) and the show is aired, royalties get collected by ASCAP or BMI and forwarded to foreign PROs, until you actually get anything from own PRO?

Thanks!

[Author]

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