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So how do I know if a track Tunesat detects was or wasn’t licensed royalty-free? Or can I still try and get BMI to check into it? I had a snippet of a track used twice in a recent NBC Sports NASCAR Hall of Fame special and wondered about something like that.
I’ve had an increase in my BMI statements for a solid 10 years until these last few quarters ( since the Nielsen Rating thing was implemented )
I’d say I’m roughly down 50% from last year and it is very concerning (how could that not be!)So unless you’re getting placements on major network shows , is any meaningful income from cable placements a thing of the past ?
ASCAP does the same thing right ?
Is SESAC following this ?Last Qtr was pretty depressing for me. It took me back to what I was making 2 years go in royalties. This Qtr it looked a lot better, but not at the same rate as a year ago.
And yes, I have a bunch of HULU, Netflix airings that pay “VERY” little. If the streaming dollars were anywhere near what TV performances pay, I could probably retired 😉
So unless you’re getting placements on major network shows , is any meaningful income from cable placements a thing of the past ?
I guess you have to define “meaningful”. My recent statement showed 22 performances on “The Wahlburgers” for $100 on A&E. Not really considered a major network but it is a better paying cable channel.
Mine was pretty pitiful as well. Placements in some cable shows that netted me a whopping $24.00……..
So unless you’re getting placements on major network shows , is any meaningful income from cable placements a thing of the past ?
ASCAP does the same thing right ?
Is SESAC following this ?I wouldn’t bet my future on backend royalties anymore.
I am sorry to hear that some of you have had a drop in royalty payments. That is very frustrating.
I don’t get my ASCAP writer’s royalties for another few weeks, but I did receive my domestic publisher’s share today. The payout was much, much lower than it was two years ago.
22 X $100 or 22 performances totaling $100?
22=$100.
“I wouldn’t bet my future on backend royalties anymore.”
Not sure I agree with that but we will see.
I wouldn’t bet my future on backend royalties anymore.
I can’t say I agree with that either. Let’s remember that it wasn’t that long ago that we weren’t getting
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money from streaming services like Hulu and Netflix.
The problem is that the distribution process has changed within the PRO’s we’re seeing less money than before. However I still know many composers that are making well over $50- $75k a year in bakend royalties.
streaming is paying 1,000 times less for the same shows than broadcast.
HULU/NETFLIX has been on the rise – though gradually – from one figure (first payments) to low three figures. So hopefully/optimistically this trend continues.
On my ASCAP publishing statement today, I made a whopping $0.01 from Apple iRadio. Hey, it’s a start, right?!
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