I totally agree with BEATSLINGER regarding the triplet snare fills. It breaks up the flow. The triplet is too mechanical. Maybe try a different figure and a more organic sound.
I also agree with Michael on the horn stabs. They’re too precise and sound fake. If the notes are quantized, try to randomize and humanize a bit. Try voicing the chord with different instrument combinations, like trumpet and sax or trumpet, sax, and trombone. Also, everything else has a sort of dreamy wash but the horn stabs stick out. Try adding a cool delay and some more reverb. Just from an arranging perspective, the brass play the same chord 24 times without variation. That’s a lot. Try adding notes to the chords, passing chords and altering the rhythm.
As far as genre goes, it’s a Contemporary Instrumental/New Age /World Fusion mix, the kind of track that the might be licensed by Nat Geo or The travel Channel and for documentaries or corporate projects with global content.