- This topic has 14 replies, 6 voices, and was last updated 1 month, 2 weeks ago by Orca.
- July 12, 2021 at 11:23 am #38329EllHarpParticipant
I was wondering if anyone here from the UK has had long delays or even non-payments from overseas performances of tracks registered with PRS?
I can view performances of many of my tracks around the world on Tunesat and, cross referencing the dates with PRS overseas payment schedules, should have been paid to me ages ago. But they have never appeared on any statements from the PRS – only list performances from the UK. PRS haven’t responded to 3 attempts to contact them about this.
Is this a common issue and should I just be patient, or should I be concerned that my tracks have been performed undetected?
Any advice greatly received!
Thanks so much
EllJuly 16, 2021 at 3:09 pm #38360
I’m a UK composer based in Devon and have been making library music for about 6 years.
I am a PRS member and have had no end of problems getting TV royalty payments from the PRS. I’ve found many of my tracks on tunesat used on TV programs, mostly in the US and chased the PRS but they have been uninterested and it’s been hard to get the back end payments through them.
In the end I decided to join BMI for the USA and Canada while remaining with the PRS for the rest of the world which they will allow if you write to them. It’s worked pretty well so far and I’m glad I made the switch. What sort placements are you finding and in which countries?
OrcaJuly 17, 2021 at 2:00 am #38364TboneParticipant
That is very interesting to hear about joining BMI for the USA and Canada only. So in the US do publishers have accounts at both BMI and ASCAP and then just register the tracks at the one the corresponding composer is also at?July 17, 2021 at 7:18 am #38367Art MunsonKeymaster
So in the US do publishers have accounts at both BMI and ASCAP and then just register the tracks at the one the corresponding composer is also at?
Yes.July 20, 2021 at 2:07 am #38388EllGuest
Thanks for all your responses!
@Orca – Most performances have in Italy, Germany, France and a few in US. It’s actually the European performances that I’m most concerned about as Tunesat shows consistent repeat performances here over the last year, yet still there is nothing from PRS. Would be worth signing up to individual country publishers in this case do you think?July 20, 2021 at 1:15 pm #38394
@Tbone – It’s worked well for me so far and was easy enough to set up with the BMI London branch who have been very helpful. If you need any more information let me know.
@ Ell – I guess you could join different societies with in Europe but I would think that could become quiet complicated. Have you tried notifying the PRS writer queries about the usages – [email protected]? Do you know which library the tracks where bought from? I had a track used for an Ad from a sale on a well known non-exclusive library and decided to sign up to their new publishing deal. They did a good job getting me the back end TV royalties which I wouldn’t have got any other way I think.July 23, 2021 at 5:49 am #38424cosmicdolphin2Participant
Yes, I have exactly the same issue. Placements on US TV shows going back 2-3 yrs and all I have received is the UK royalties which are between a few pence to a few £’s
A lot of them appeared as ” Unnotified Works ” and had the wrong publisher showing in my PRS account so I raised queries with PRS which took several months to hear back about – All they said was the writer still gets paid even if the Publisher is incorrect and basically ignored the part about the US royalties being missing.
I have replied back to them about the missing US royalties weeks and weeks ago..still waiting to hear back. The Library is also trying to help and get the correct publishing info to PRS.
My placements are for show like Keeping Up with The Kardashians and The Challenge , and whilst each one is not worth a fortune it’s still a significant amount and a fair chunk of my placements to date.
MarkAugust 3, 2021 at 10:09 am #38525TomGuest
Stumbled across this thread, I’m in a similar boat – definite placements in the US but no royalties through PRS yet. The tracks are definitely registered on BMI database. PRS told me I had to register the tracks with them myself and eventually they would communicate with BMI and link them up. Nothing so far though, been about a year. Is the only/best option then to register with BMI for US/Canada only? Why don’t PRS tell us this if that’s the case?!August 3, 2021 at 10:58 am #38526PAMMusicParticipant
In the end I decided to join BMI for the USA and Canada while remaining with the PRS for the rest of the world which they will allow if you write to them. It’s worked pretty well so far and I’m glad I made the switch.
I am also a UK based composer registered with the PRS and it would be great to hear more about how you set this up with BMI, as I have a lot of tracks in primarily USA based libraries. When you did the switch did it mean having to contact all your libraries to tell them you have switched to BMI and give them a new CAE/IPI number etc? Or do you use the same number?
Thanks for the info you have given so far – bit of an eye opener!August 3, 2021 at 1:48 pm #38529
I think that a lot of UK based library musicians must have experienced this problem.
What happened for me was that I was trying to track down some missing US TV placement royalties based on information from my tunesat account. I couldn’t get anywhere with the PRS support system so I contacted BMI in London (https://www.bmi.com/about/entry/contact_us) to see if they could help, as the library and publisher in the US that I was using were signed to BMI.
BMI London were very helpful. I discussed with them whether I could join BMI as publisher in order to get my share of royalties directly from the US and they told me the easiest way would be for me to join them for USA and Canada as a writer while remaining with the PRS for the rest of the world.
I had to write and post a letter to the PRS requesting that they release me for the USA and Canada which they agreed to do.
Once I had signed all the BMI paperwork, contract, W8BEN tax forms etc BMI took care of re-registering all my relevant PRS catalogue to my new BMI catalogue. The music libraries didn’t need to get involved or be notified with my back catalogue but I did let them know for all new recordings once I had joined BMI.
When BMI receive any royalties for me now they send it directly to me in the normal way with quarterly statements that have much more information than I was able to get from the PRS. I have a standard UK personal bank account and the payment is converted from USD to GBP by the UK bank at their normal conversion rate and transferred directly into my bank account from BMI.
I still get quarterly statements and payments from PRS for my other works outside the USA and Canada as usual.
@ PAMMusic I have the same CAE/IPI number for the PRS but have another CAE/IPI with BMI. Most of my BMI catalogue listings on their portal use my original PRS CAE/IPI though.
It might sound quite complicated but BMI did all the work for me and my payments from them have mostly been much better than I expected.