I’ve learned a lot reading this thread. Thanks.
My method is one track per a day/two days. Then at the end of my batch of say, 8-10 tracks/cues, then I revisit each one, listen critically and make changes of things I couldn’t hear before. Then I’ll send the batch.
Sometimes if I’m tracking live instruments I’ll combine the recording a few tracks’ instruments in the same day to reduce the set up, live sound, mic selection time.
I sometimes cannot write music in the morning. My head is too foggy and I’m not feeling anything. Such days it’s better to compose/mix in the afternoon.