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This is very helpful and enlightening. Very good advise. Would you mind to explain what those ‘multiple revenue streams’ are? I think I’m betting all my chances to the same publisher…Thanks in advance.
Yeah, I’ve had the same experience. Especially with libraries that start small and then get big. At the beginning everything’s very fluid but when they get bigger they lose a bit of human touch. But as Art says, I don’t mind as long as they place my music.
Hi,
same here. What I did when I started was first to make a huge list of the most known RF libraries, made a playlist with my best work in Soundcloud and send it using an email template to the different libraries (around 1 to 5 every day).
The vast majority will refuse you or don’t even reply to you. From the 5% that does, I only keep submitting to those who are actually making me earn some money.
I don’t doubt that, but my question is if they are still tracking the use of particular songs in ads, since after spending some time browsing their website I haven’t found this service.
Is this still current? It doesn’t look as numerator is dealing with this particular issue for composers…