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“to have reverb tails etc fall into place when the range is being looped”
Just tried your suggestion, I slightly overlapped the end decay into the beginning made a subtle but nice difference, thanks for the tip!Good pointgood pointgood point…
I would normally leave a tiny space at the beginning of a clip (i.e. 1/10th to 2/10th of a second). However, for the “loop” clip version, does it make sense to still place a small spacer at the beginning of the clip? So if one were to truly loop the clip it would seamlessly loop back without any pauses. Or, do we place a spacer and leave it up to the media producer to perfectly meld the loops back to back, and leave it to them to eliminate any space between loop playbacks?
Makes sense. Perhaps this deserves to bump to a topic unto itself? Thoughts regarding looping techniques that yield $ results?
Art, Can you further expand on your approach (or a basic definition) to the “loop” portion of your alternates? Do you select a portion within the main groove of your track and break it down by different combos and loop those a couple times each, gradually layering on more tracks each round? Or am I way off here? Thanks.
I’m in. For $90, I can’t fathom watching that much exclusive footage of Hans Zimmer and not getting something, anything out of it. Heck, even the 2 minute trailer was noteworthy!