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pixeleeParticipant
Thank you so much! This is gold!
pixeleeParticipantThank you for the feedback everyone! How would you negotiate in a situation like this?
pixeleeParticipantI see. What particular libraries would everyone think would be a good reason?
pixeleeParticipantUnless there’s a really good reason, 50% of synch is what I consider fair. No matter which library it is.
What kind of good reason would it be? What kind of benefit would you be able to pass up that extra 25%?
@Carles, ML stands for music library IIRCpixeleeParticipantThank you so much for the help! I really appreciate it.
pixeleeParticipantThank you. From the above info, this contract sounds normal?
pixeleeParticipantBut I guess I could register my songs in PRO?
pixeleeParticipantI see. Do I still have ownership to the song? For example, I could still register my songs on a PRO?
pixeleeParticipantWould MichaelL might shed light to this? There is one part that I’m really confused. “For good and valuable consideration, Composer hereby irrevocably and absolutely assigns, transfers and grants to Company, its successors and assigns, an undivided one hundred percent (100%) of all rights, title and interests of every kind and nature whether now known or hereafter discovered or established in and to the Works. Such assignment, transfer and grant shall include, without limitation, the Works, the copyrights and trademarks therein, all claims and causes of action related thereto occurring at any time, and each and every arrangement, adaptation and derivative version thereof, all for the full term of copyright throughout the Territory (whether vested, contingent or inchoate, and any renewals, extensions, continuations, restorations and reversions of such copyrights whether now or hereafter in existence as a result of future legislation or future interpretation of legislation in any territory throughout the Territory).”
pixeleeParticipantThey mentioned that they are a division of BMG.
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