[Jure]

sure, sometimes it’s hard to fit practical and musical purpose.

thanks again!

[Jure]

will be hard pressed to get someone to listen to more than 15 seconds of your track before making an initial assessment

this is probally true and also when you think that client will know by visual representation of a waveform where the main part is, is more of a engeneer thing and client doesn’t know this.

[Jure]

aha ok, but that is the other thing i was thinking about, risers and transitional effects also can’t be cut properlly when mixed in music, so what do you think is better to do separate version without or extend it with parts without fx?
hmmm, they sound great to me, but are sometimes hard to make edits of a cue, because they are usually at changing parts?

so intros are more or less useless? also build up, should you start with main theme and then make a break and rebuild, so client can hear main thing straight away?

thanks for your input!

[Jure]

Starting with a wind sound will turn off 90% of the customers.They don’t need sound effects in their music. It really limits what your music can be used for.

hello Mark i would appreciate a little more on this. Do you really think that intro in therms of wind/pad is useless? why?
You can easily skip or cut it?
I think it is still good alternative for intro of a song?

Does this also apply to risers and transitional effects in cues?
I do more of electronic stuff and use a lot of it, so you think it is unapropriate?
Because of editing?

Otherwise i 100% agree with your input and nice composition Rory keep it up!

[Jure]

Peter that’s great, keep it up!

[Jure]

thanks guys!

[Jure]

sure, i have MagicAB it’s almost a must, but i don’t have any library music tracks to put in…i guess that library music is much less squashed as normal music, so it’s better to have it as reference.

where do you buy tracks?

[Jure]

this is great , thanks a lot! but i was more looking for finished mixed tracks, but still nice one.

[Jure]

sure, thanks for your help mate!

[Jure]

i hope so 🙂

i looked and on publisher apllication for ASCAP you have option: SSN/ITIN/TIN/EIN
but for writer it is only SSN/ITIN, that’s strange. But as it looks it should then be the same?

[Jure]

I did’t ask, because as it stated in this article it should be the same?

I called ASCAP and first she told me that i need ITIN and i told her that EIN is the same and then she said: ‘ok, if you think it is the same put it in?’ hehe i don’t know, but it sounds funny to me. She wasn’t too convincing.

[Jure]

i don’t know if this will work, but on W-8BEN and in ASCAP registration form it is said to fill ITIN or SNN(which is also different format)?
will it be ok, if i put my EIN in?

[Jure]

beautiful, as much as i lost energy for day and a half to go trough all of this, today i called got immediately a connection and in 15 minutes i got EIN number, which she said is active straight away! 🙂

first step done now i need to fill out W-8BEN.

[Jure]

thanks, but if i want EIN i need to open company later, so what is the process & fee for ITIN?
is there any difference regarding tax if you register with EIN or ITIN, i don’t know nothing about it.
Stil first it would be nice to collect some royalties, but i want to start clean, not to have problems later, when i will forget about this.

How do you guys pay taxed from royalties?

have a good productive day!

[Jure]

you are the best man, you saved me ton of headacke, even due i already have one from all this 🙂

they didn’t ask me for 1040NR i just read in W-8BEN about it and thought i need one?

thanks again, i will report back how it went down.

[Author]

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