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Hey angopop, if you want me to take a look at your site let me know. I might have some ideas for you. You can PM me or use the contact link.
We have an LLC and set up a trust. MichealL would be the guy to know. Maybe he will weigh in.
There is also fiverr.com, guru.com, freelancer.com and upwork.com.
Please post specific library question on their listing here https://musiclibraryreport.com/h-to-l/indigi-music/.
Sorry to hear that angopop. What platform did they build your site on?
Hey Art!! Am I allowed to name some names?
Better to mention them on their listing, not here. This topic will eventually get pushed aside by newer topics.
We don’t get into paid services. One shouldn’t have to “pay to play”.
Thanks for the post reallife4. I think most of what you have observed we can all agree on. I don’t know what the outcome will be (free music for all?). I don’t know what the ultimate solution is. I’m mainly non-exclusive but I do have a couple of exclusives I will work with (with reversion clauses), because they have generated some decent income.
And thank you for the kind words. Sure, we can Zoom but a lot of folks seem to want to stay anonymous.
Personally, I would register with my real name. Keeps it cleaner.
Yep, it sucks. The U.S. has no interest in protecting it’s writers. If you want to create a spreadsheet with paying networks I will post. Another idea might be to create a shared spreadsheet on Google docs that a select few could contribute to.
Any other ideas on how to achieve this?
Here is a great “story”
That is a great story!
curious if you’d have any insight on a limit to the number of non-exclusive libraries you would send your songs?
Initially no but over the years the libraries I work with are just a handful.
@notsamstucky Crucial will take any style as long as they feel they can place it. We have surf, bluegrass, latin, orchestral and retro jazz tracks with them. These are all instrumentals and have had a number of placements with them.