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I’m laughing, because it’s STILL “WAY OFF”. I guess it depends on what level You/I are at in this “Beast Machine”. Nevermind what I can do. The vocalist ALONE that I work with will keep Me fed..
As well, music is changing style & form MUCH to faster than “coders” will be able to keep up. THIS, is where AI cannot match human; and that is “intuition, prediction of new styles/genres, and being able to capture incredible one of a kind vocals’. AI, at this time will be a threat to anyone that thought they would thrive doing mediocre & sub-par Musics. BUT, for the real creatives there’s no stopping Us!!!
Greetings to ALL. I said almost 10 years ago that legislation/laws needed to be put into place for the usages of AI music.. I feel there needs to be definite & stringent laws that define “professional & consumer” usages, and that larger companies cannot use AI derived music(s) You want to do a wedding video, backyard BBQ, graduation, or a limited audience video? Great! BUT, for large companies, bigger advertising agencies, major production libraries/labels. It’s off limits, and the domain of “human writers & composers”.
As well, I now being a writer & Composer for several major music companies’ libraries, and catalogs. I have seen a BIG push towards more original music from real artists and producers. I would not be surprised if the “new catch phrase” will be something like.. “Real Music from Real Creatives”.
Lastly, the ONLY people that should be really worried about AI derived musics at this time; are those that are doing VERY mediocre/run of the mill work, and had no business being in this business in the first place..
Hello to ALL! I enjoyed listening to the “dramedy & lighter sci Fi” the most. Have you been talking to organizations like PRS, Salt, Audoo? I would say a good move would be to invest in Yourself..
Hopefully, this will not be taken the wrong way. But.. Keep your pocket-book open to some newer sound libraries. Might give you more of a updated sound..
Looks great Art!
Correct. It’s a MUCH better organization than “Our Major Three” over here.
If you are registered to PRS, trust Me, you are getting better rates than us in The States!!
Music TV.lol
If it’s in a “Library”, and was not placed by a Sync Agent or someone that negotiates Sync Fees/One Stops. You might not have any Sync fee monies coming. A lot of the libraries are now subscription services, and if there are sync fees attached they normally keep them. Check your contract, and see what it says..
Please take no offense, but take offense. I have noticed that the word “experimental” gets thrown around SO much. BUT, it’s ALL talk and no “Gas”.
You’re dealing with a “SLOUGH” of industry professionals here, that used the MLR as practically a Bible. Were you expecting to do VERY little research, and get 1000% return?! Ready to go from 0-to-60 in One Second? Drop some links, and Let’s hear Your “Experimental”.Use the “Access Music Libraries”, upper right, under Hot Links. You can filter the libraries there.
It takes some days, but it is “well worth it to from the numbers and work ALL the way thru!!”
Make sure you read ALL of the comments, especially the ones from about 7 to 10 years ago. LOT of great information, and it will help you make VERY informed decisions!!
I have not read the entire postings thread yet; but a couple of the BIGGEST problems that I have seen, and heard from companies are:
1) The Amount of content that is now either the SAME cues/songs/tracks being seen by “clientele” for MUCH different prices on several libraries.
AND/OR
2) The amount of Royalty free samples that are ending up in several catalogs, and being picked up by services like tune-sat; when these “composers” were being paid and/or signed waivers that say they are in control of the music, and it is not anywhere else to be found.
Also, having branched from working with several Majors simultaneously; to now almost exclusively working directly with Ad Agencies, and Supervisors. There literally almost is “no difference between Non-Exclusive and Exclusive in terms of placements”; unless the library/company has some great clients like standard network TV. It’s all now a wash and spread out WAY too thin.
Control means options, and if you can’t keep the control at least negotiate a Semi-Exclusive.
It’s strange that I no longer submit for music searches, and emergency briefs (long or short turn-around) But now I see them in my inbox more than ever.
I now equate it to chasing Fire Engines, and Ambulances just so you can pass out your business card..
Im not sure Beatslinger if you were asking me but there would be no Sync fee as it is Direct licensing..
Hi there JohnMac, this is actually directed towards LionWings. The reason that I am wondering about this is because “for me” this would be quite disturbing that/if a company “like” Carl’s Jr. would be able to grab a usage for something that “should” not have been direct licensed; and in fact should have been an actual licensing with a negotiated sync fee attached.
Somebody had to have made money “somewhere” because this is not a “Network or someone that should have had a subscription account”.
Correct me if I am taking this the wrong way. But.. No one got in touch with you to let you know how much it synced for? As well to issue you your percentage of the sync fee?
The trend I see is libraries getting pickier.
There is a lot more supply for right now.
But also, I talk to a good amount of people regularly, and they say that they closed up accepting new composers because they are making sure their roster stays working. I really commend that!