Dannyc

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Viewing 15 posts - 61 through 75 (of 162 total)
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  • in reply to: What is your cutoff… #28780
    Dannyc
    Participant

    submit to the right libiraries in the first place and you wont have to do any cut offs. easier said than done 😉

    in reply to: Music Production Video Links And Tips #28699
    Dannyc
    Participant

    i learned pretty much all i know about logic pro x from musictechhelpGuy. great teacher i highly recommend him.

    in reply to: Lend me your Ears!…Please? lol #28697
    Dannyc
    Participant

    like others have said might be useful to start with some RF libraries and see how you get on. try catch a few sales.

    in reply to: Lend me your Ears!…Please? lol #28663
    Dannyc
    Participant

    where are the tracks?

    in reply to: first placement ever #28612
    Dannyc
    Participant

    Congrats Abby fantastic news. hopefully much more to follow.

    in reply to: Do you give up writers share to those who demand it? #28576
    Dannyc
    Participant

    but in Art’s case in a 50/50 writers deal he would of got $1250 rather than $2500 which is still pretty good. the deal is not to give 100% writers its 50%.

    in reply to: Do you give up writers share to those who demand it? #28555
    Dannyc
    Participant

    i think for me if the consideration fee was $500 per track i would consider giving away 50% of writers. no way for $125.

    in reply to: Do you give up writers share to those who demand it? #28505
    Dannyc
    Participant

    there are libraries that actually ask for a cut of your writers share? thats immoral, how are this places still in business.

    in reply to: Duration to Evaluate Library Fit for you #28501
    Dannyc
    Participant

    that’s a great question and also a difficult one. for me i think 1 year to 2 years is enough to know if a library is gonna work for you. but there are other important factors you need to consider such as do you have a good relationship with the library, do they respond to your emails or calls. is your music a good fit for that library? are they curating the music they accept and not just interested in getting a huge catalogue? do they actually get placements?

    i’m still fingering this all out but one thing that is definitely true that was told to me early on is that this is a slooooowwww game.

    in reply to: ASCAP and their inadequate survey system #28494
    Dannyc
    Participant

    is BTN a low tier cable network? what would be the other low tier cable channels/networks? sorry this is all still very new to me.

    in reply to: ASCAP and their inadequate survey system #28485
    Dannyc
    Participant

    is it just BTN placements that suffer from this ASCAP surveying issue?

    in reply to: Tunesat 50 Free cue monitoring #28468
    Dannyc
    Participant

    what would be the reason for your percentage being so low mike? how many tracks would you have uploaded to tunesat, are you using the paid service or just the free 50 tracks per month account?

    in reply to: Tunesat 50 Free cue monitoring #28464
    Dannyc
    Participant

    hi guys what percentage of your PRO placements do you find tunesat will pick up in a quarter? is it picking up 100% of all your placements, 10% or what is it? i’m just wondering is what you’re seeing on tunesat gonna be a like for like representation of what you will see on your PRO a few quarters later?

    in reply to: Pay to submit libraries #28387
    Dannyc
    Participant

    and when you say the placements you have today, do you mean top level placements or just placements in general?

    Dannyc
    Participant

    yep me too. then it appears a few weeks later out of nowhere.

Viewing 15 posts - 61 through 75 (of 162 total)
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