OverDub

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Viewing 15 posts - 76 through 90 (of 99 total)
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  • in reply to: MP3 Encoder #17930
    OverDub
    Participant

    I use “Switch” everyday, and love it. Goes to show you, what works for one, doesn’t for another!

    in reply to: Short TV Ad #17266
    OverDub
    Participant

    Sounds great. Great tones. I like the 2nd ending. You could also add some percussion (or drums) and stretch it out, build the back half up a bit. Most libraries like a track that builds from what I’ve seen. You can always do a mix without them. Great work!

    in reply to: Free eventide ultrachannel vst #16874
    OverDub
    Participant

    Thanks for the heads up, just downloaded it. Hard to beat for free!

    OverDub
    Participant

    Congrats! I don’t know what the time frame is outside the U.S.

    OverDub
    Participant

    Great! Glad to hear it. I think my best was Jan this year. But the last 3 have been pretty consistent. Best of luck!

    in reply to: Start Your Own Music Library Business Resources? #16762
    OverDub
    Participant

    Has anyone done their own Source Audio site just for their own music? Can clients license directly through SA? Do you get paid through SA? Can clients search the whole SA catalog? Just wondering. I was thinking it would be good to have my own library for my genre specific music. Don’t see where it’d be worth it to develop your own site, except to get traffic to a SA site.

    in reply to: Tunesat 50 Free cue monitoring #16592
    OverDub
    Participant

    I’ve had some foreign uses show up on the free account.

    in reply to: Writing music for ads/commercials…. #16447
    OverDub
    Participant

    Art, did you get placements through submitting to their requests or just submitting a bunch of stuff into their catalog? Thanks!

    in reply to: Submitting WFH Cues after being accepted by a library #16421
    OverDub
    Participant

    Great. Thanks for the info!

    in reply to: Submitting WFH Cues after being accepted by a library #16419
    OverDub
    Participant

    Thanks Michael. They told me what they were looking for, and chose a few I had online. Do the libraries you work with take everything you send, in repsonse to the briefs? Do you send stems and all, before they decide? Been doing TV music for a few years, this is my first WFH deal. Nothing feels fishy, just wondering what the norm was. Thanks!

    in reply to: Reality TV show payout? #16401
    OverDub
    Participant

    I think if you are talking about BG TV cues, I try to not have more than a few hours into each piece. These are not trailer pieces, just cues around 2 mins long. Rock, country, bluegrass, etc. I am a full time musician, but a part time composer. I shoot for one 2 min cue a day (5 a week). I usually have 1-2 hours in each one. That way if it’s a work for hire for $100 (not as often as I’d like), I’m making $50 an hour or more, plus back end. Some cues that have taken 3 or 4 hours haven’t made a dime, while ones that took 30 minutes have made a few thousand dollars! I think most full time library writers would say you need 500-1000 cues to make a decent living, I think that’s on par with my income. I’m at around 180 cues right now, I was at around 100 9 months ago. The way things look right now, I’ll hopefully average $10,000-$15,000 this year. If I was writing full time, I’d be aiming for 3 cues a day. (Around 750) a year! I’m shooting for 250 this year at my 5 cue a week pace. Hope that helps!

    in reply to: cue verification? #16316
    OverDub
    Participant

    Scary Stuff. Maybe it’s better not knowing what’s going on behind the curtain! They’ve been great for me, and maybe there is a good explanation. At least I hope.

    in reply to: How to handle "albums" and pitching them #16250
    OverDub
    Participant

    I’ve been thinking of doing the same. Maybe doing a few cd’s worth and pitching a whole cd of a certain genre to different libraries. Would love to hear anyone’s thoughts as well. Thanks for starting this thread!

    in reply to: Tracks accepted, now what?…. #15921
    OverDub
    Participant

    I’ve never been asked NOT to send new tracks to a NE library. Maybe my genres aren’t well represented? Maybe your NE libraries already have a lot of your style cues? Have you tried any Exclusives? I’m in a few libraries that started out as NE but went Exclusive, and they always took whatever I sent, and still do. Might be time to submit to some exclusives, who don’t have a lot of the styles that you do. Best of luck!

    OverDub
    Participant

    Great info! Thanks!

Viewing 15 posts - 76 through 90 (of 99 total)
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