Wall_E

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  • Wall_E
    Participant

    Alright. I was misled by “only if music is GEMA liable”. Thought it was referring to “only if you are a german composer represented by GEMA.

    in reply to: Licensing for TV: audience dimension? #35421
    Wall_E
    Participant

    Some of my recent examples;

    BMW National radio paid 5K

    Delta Faucets/ Amazon / Alexa Co-op paid 7K for the license (airs mostly on cable)

    $2000 Jingle for a seed company airing in Minnesota Only on radio

    Those prices are what you asked directly to the ad agency or what the library you have the track with asked?

    in reply to: Licensing for TV: audience dimension? #35418
    Wall_E
    Participant

    Thanks Mark, so you say libraries usually determine their TV-licensing price according to just “territorial coverage”?

    This morning they told me some libraries, during the process of buying the track and establishing the price for the license, asked them to define the “size” of the expected audience in the TV channels. That information is quite hard to imagine I guess…that’s the reason of my first post.

    in reply to: Looking for merciless critiques on mixing/mastering #35125
    Wall_E
    Participant

    Thanks woodsdenis! 😉

    in reply to: Looking for merciless critiques on mixing/mastering #35121
    Wall_E
    Participant

    Thanks Mike,

    yes, they asked me to have the sound of the engine very loud (and I believe they are right, it’s a bike advert).

    Wall_E
    Participant

    I’ve done hundreds of commercials for companies.
    My advice is to ask them to sign a documents where you clearly report at least:
    – number of tracks and/or edits
    – deadlines for each track
    – number of revisions
    – media of distribution (worldwide, local area…)
    – exclusivity/non exclusivity
    – in case of exclusivity, the period of time of exclusivity
    – budget
    – payment method and timing

    in reply to: Reality check: how much $ to expect from YouTube streams #33587
    Wall_E
    Participant

    My Pro statements show roughly $80 per 1 Mil streams.

    …that’s depressing! Maybe I’d better find a new purpose for these tracks…

    in reply to: Timing for exclusive releases? #33324
    Wall_E
    Participant

    I think we’re talking about a sub-publisher actually…

    in reply to: PRO placement on SKY and FOX #32756
    Wall_E
    Participant

    You’re right. Not from those libraries you mentioned

    in reply to: PRO placement on SKY and FOX #32753
    Wall_E
    Participant

    such as trailers are not affected.

    funny thing is…this was from a trailer album. Anyway, I thought, since this is a high end library, that sync fees were involved each time a client download and use a track. My mistake…

Viewing 10 posts - 1 through 10 (of 50 total)