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Art, thanks for the composerspace link.
I’ll be following this also since lately I lean more toward keeping control of ownership and copyright of my tracks.
Working fine here.
Great read. Lots of good takeaways from it. I think the best advice is to submit what you believe in and do best, and that which is uniquely you. I can see how supervisors and libraries quickly get tired of hearing thousands of variations of the same thing.
Thanks for posting this, Michael!
In that case, the songs I submitted should be going live in November. Perfect timing! 🙂
Congratulations on the placements, David. Hope the payout is good!
Now see, here I was today struggling to get an acceptable 15 second edit by editing and cutting, when I came upon this thread. Honestly, I don’t know why I never thought of just re-recording an altered snippet of the song for the edit. I did just that and I’m good to go with a nice sounding 15-second track! Granted, it was a single instrument (piano), so it was pretty easy.
Thank you, MLR 🙂
Well, looks like it’s unanimous! Thanks for the input, everyone.
My understanding is only the copyright owner can enter tracks into Content ID/AdRev, or assign an exclusive (single) representative to do so.
Ah ok, that makes sense. Thank you!
That’s great, congratulations!
So what happens when a non-exclusive track is in multiple non-exclusive libraries (RF or not), if all of those libraries are entering the track into AdRev? Doesn’t that lead to a multitude of problems?
Checked out their website, looks like the tracks can’t be registered with a PRO?