[woodsdenis]

Studio One has Mel. Essential bundled. I’m going to email them and see if that counts.

I upgraded to the Polyphonic one, Editor? I think essential was on the list of supported side grades, email them. Great company and service .

****I dont work for them !!!!!****

[woodsdenis]

Denis, I hate you for making me aware of this amazing tool that I never knew existed but suddenly and desperately need!!!

I know , sorry and this close to Xmas, even my wife was impressed with this one !!!!

Zynaptiq do these really hi end restoration tools, worth looking at the videos on the site, amazing tech. Came across this one at the weekend by accident and WTF instantly, if you have Melodyne, Autotune, Waves Tune or the Izotope one, head over to Audiodeluxe. You can get a side grade for $159.

[woodsdenis]

That should make it even easier for those inclined to steal tracks, to do so.

Thinking the same thing exactly, it is insanely good at the midi thing. I am using it to reinterpret some loops, mind officially blown.

It won’t do some things that Melodyne or Autotune do.

from website

“How PITCHMAP Is Different
So how does PITCHMAP compare to other pitch processing products, like Celemony’s Melodyne Editor or Antares’ Auto Tune? In a nut-shell: it doesn’t. They have different applications and strengths, and complement each other nicely. In simplified words:

If you need to tune a solo vocal take or other monophonic instrument, use Auto Tune.
If you need to fine-tune or manipulate a single but polyphonic instrument, or a section of instruments, and using off-line editing doesn’t break your workflow, use Melodyne.
If you need to tune or change the pitches of a full mix or other complex polyphonic signal in real-time and under MIDI control, while retaining all the transient crispness of any percussive elements, or if you want to create far-out sounds, or if you want to try out different harmonies on your loops and recordings from within the creative, musical workflow….use PITCHMAP.
Depending on your field of work, you may want to have all three of them. So grab a copy of PITCHMAP and complete your pitch processing toolkit!”

[woodsdenis]

Big downside is it’s not supported by Waves and a few others, personally I can’t stand the look of it BUT you can customise virtually anything, it’s in constant upgrade, it’s cheap.

I think you can download a full working version to test, definitely check it out.

[woodsdenis]

Just wanted to say to Denis Woods, listened to a lot of your stuff both in libraries and on soundcloud, amazing….

Tx Chuck much appreciated

Astonishingly low ball. The library should be named and shamed, so other composers can steer well clear of such a company.

+1

[woodsdenis]

In keeping with forum rules if you want to know more please feel free to PM me.

You can post the library details in the individual library comments if you wish.

[woodsdenis]

http://www.pro-tools-expert.com/home-page/2013/11/7/whitey-makes-the-betty-tv-email-public-its-not-good.html

The original email.

[woodsdenis]

Good one !!!

[woodsdenis]

Great idea Art. Now if we can get virtual pizza and take-out Chinese.

Can I come too !!!!!!

[woodsdenis]

We’ve got plu-ins to simulate tape machines and consoles now.

and 1176, Fairchild, Pultec …….. Do I miss the old days in that regard, no. I do miss the people and genuine fun and enthusiasm that was around then though.

[woodsdenis]

Dirty Loops are brilliant, too brilliant IMO, remember what Salieri said to Mozart. they are Swedish I believe, which is one of the last places in Europe where you find session musicians of this caliber every where, frightening.

I certainly do not miss 2 inch tape or analogue or lining up or recalling ……………… and the list goes on. The internet has opened up a new line of business for me and for that I am grateful.

I have done the “on the road’, Studio and even management in my time, I really feel for bands now trying to make a living from record sales now.

However we are not in general affected by what happens in the movie, thankfully.

[woodsdenis]

Highly inspirational artist, R.I.P.

[woodsdenis]

If you want to make a small fortune in the music business ….start with a big one.”

Fab

[woodsdenis]

For what its worth a colleague of mine just signed 2 songs to a “big” library for £200 advance per track, 50/50 on sync/publishing and handing over copyright. Wether that is normal who knows, but a real world example for what its worth.

[woodsdenis]

You do not have permission to view this content.

[Author]

Posts