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Paul:
This may sound ridiculous to you, but the other reason is that I’m starting to produce a number of hard rock/metal pieces and some people MAY have a problem with this.Think conservative idealogues.There are corners of this country (US) that are so conservative it’s scary.At least to me anyway.
Great point Pat!
johnfrancis:
Hi Art, I’m 5 pages into the thread called Retitling and it seems to be about retitling work that is in exclusive libraries. And then there’s the non-exclusive libraries’ own retitling of work that they can obtain publishing rights for.Can I simply ask:
Even if the library I use retitles my work elsewhere, is there anything legally wrong with me retitling my own work for other non-exclusive libraries?Or is there something else I’m missing?
You need to keep reading to grasp all of the implications. I for one have no problem with re-titling my music for different libraries and/or situations but many others would vigorously differ with me.
guscave: I have direct deposit. The money goes in a day before the statements go out from BMI.
I have direct deposit also but mine shows up on the day of distribution.
BMI deposit just hit my bank account and a nice bump from last quarter, best one to date. Hope everyone did equally well!
johnfrancis:
Can I get anybody’s advice about retitling my work and submitting it to other libraries? Are there any things I need to think about beforehand? We are talking about royalty free cues that I own in this context.
Please got the Newbies section and read the various links on re-titling. https://musiclibraryreport.com/blog/newbie-info/#more-4537
Art..how do you modify/edit a reply? I don’t see that option in the forum.
Just checked it as a “subscriber” and there is an edit link right above and to the right of a reply you make. It’s right next to the reply #. As an example your reply number was #5857. Should be just to the left of that.
Art..how do you modify/edit a reply? I don’t see that option in the forum.
Only admins can. I think I have to assign rights to logged in users but not sure. I’ll look into it.
Hmmm, how did you get that early? Tomorrow (6-22-12) is the quarterly distribution date.
Forgot to mention, congrats!
Hi Chris,
Sorry about your problem but not sure what the problem could be. Please try logging out, clearing your browser cache and try again. Also try another browser. E-mail me through the comments section or PM me.
@Elvis Lives. This question gets asked all the time here, that’s why I wrote this blog post. https://musiclibraryreport.com/blog/the-best-music-libraries/
Please read the Newbie Section also.
I don’t think you are wrong but I’ve seen these kinds of clauses in a lot of contracts. Never did like them.
Same here. 85 tracks, 150 plays, 4 downloads and no sales. Been about three years.
Art: Have you had any issues with recent Scripps placements showing up on your Tunesat that are licensed through them?
I do have placements on Design Star also. It’s too bad that this is happening but JP does get a lot of other placements, that do pay, so I guess we have to live with it.
The problem seems to be that some of the production companies produce shows for Scripps as well as PRO paying networks and the libraries feel they have to take the good with the bad. This was relayed to me by Scorekeepers at one point. But, as someone mentioned here, Scoreepers keeps track of Scripp shows and pay the composers. I got a check at the end of last year for those placements. You won’t get rich on it but it’s at least something.
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