Art Munson

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Viewing 15 posts - 376 through 390 (of 2,954 total)
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  • in reply to: Library Titling vs. Registered ASCAP Titles #38012
    Art Munson
    Keymaster

    As long as the writer info is on the cue sheet you should be good but always a good idea to register alternate titles with your PRO.

    in reply to: Potential Earnings for Commercial #38007
    Art Munson
    Keymaster

    Depends on network, time of day, length of commercial and how long the run is for. You can get a free Tunesat account to track it and get a better idea. https://tunesat.com/tunesatportal/home

    Art Munson
    Keymaster

    @domahidimusic: I have no problem with people speaking their mind here. What I do have a problem is when they start accusing others either directly or implying indirectly they are a fraud or their business is a scam. All of these so called accusers say they have proof but without actually supplying any of it. Interesting many of these accusers like to remain anonymous, which says a lot. Besides what would be the point?

    This site is not meant to be a judge and jury and certainly does not have the financial resources to get involved in legal battles with various entities. Oven the 12 years I have been running this site I have received enough threatening letters from lawyers to learn that I am not going to be the white knight here.

    Please read the “About” page here https://musiclibraryreport.com/about/ for more detail.

    Bottom line, and I will say again, I would not “pay to play” but early on in my production music career I did. It was mostly a waste of money except for one instance. It led me to a library that ultimately earned us many thousands of dollars and I still have a great working relationship with them to this day.

    So, it’s an individual choice. It’s a simple as that.

    in reply to: Exploration Group LLC Sound Recordings #37995
    Art Munson
    Keymaster

    Here’s their site https://exploration.io/. Looks like a rights management company and they should be more helpful. Have you told them that you are the copyright holder and their client is infringing on your copyright? Tell them you will seek legal action. Should get them moving. I have similar experiences in the past and have managed to get these types of things resolved.

    Art Munson
    Keymaster

    Folks, accusing someone of a scam or a ripoff is just conjecture with no proof. The simple question is if someone wants to pay for submissions. It’s up to the individual composer if they want to take that route. Earlier on in my career of writing production production I took that path a few times. There was one instance that it was wildly successful and our music was placed on a number of major network shows. We still have a good relationship with that library to this day. Many other times, though, paying for submissions turned into nothing. So, it’s a choice and nothing more.

    in reply to: How Much Does Unscripted Pay For Sync Fees? #37895
    Art Munson
    Keymaster

    That’s a very broad question and depends on the network and library. Some libraries only rely on the the back end publishing income, some may charge a blanket license fee for use of all or part of their catalog. A major network might pay but the trend has been for libraries to rely on back end royalties. Of course YMMV. 😉

    in reply to: Copyright for UK TV themes #37831
    Art Munson
    Keymaster

    I would start with the publisher.

    in reply to: Tinnitus, hearing aids and composing/mixing #37801
    Art Munson
    Keymaster

    Thanks Thomas for that great post and information! It certainly is an issue many of us have to contend with after spending decades in the music business.

    in reply to: Tinnitus, hearing aids and composing/mixing #37788
    Art Munson
    Keymaster

    Hi Bob, we have similar histories and hearing problems. Hearing aids are problematic as they are mostly designed for speech. There is also a lot of processing going on that can affect what you are really hearing. I found this article a few years ago from Rick Ledbetter that you might find interesting. https://musicandhearingaids.org/2017/01/03/musician-hearing-loss/. He ended up programming the hearings aids himself.

    I ended up using a spectral analyzer and my wife’s ears (she is also a musician) to work around my hearing problems.

    in reply to: Creating an online searchable database website? #37773
    Art Munson
    Keymaster

    Hey angopop, if you want me to take a look at your site let me know. I might have some ideas for you. You can PM me or use the contact link.

    in reply to: Copyright inheritance question #37764
    Art Munson
    Keymaster

    We have an LLC and set up a trust. MichealL would be the guy to know. Maybe he will weigh in.

    in reply to: Creating an online searchable database website? #37763
    Art Munson
    Keymaster

    There is also fiverr.com, guru.com, freelancer.com and upwork.com.

    in reply to: InDigi Music Question #37760
    Art Munson
    Keymaster

    Please post specific library question on their listing here https://musiclibraryreport.com/h-to-l/indigi-music/.

    in reply to: Creating an online searchable database website? #37751
    Art Munson
    Keymaster

    Sorry to hear that angopop. What platform did they build your site on?

    in reply to: Changing Trends in Micro/Major Sales #37744
    Art Munson
    Keymaster

    Hey Art!! Am I allowed to name some names?

    Better to mention them on their listing, not here. This topic will eventually get pushed aside by newer topics.

Viewing 15 posts - 376 through 390 (of 2,954 total)
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