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So how much would it cost to register 100 songs with them?
$850 in groups of 10 at $85 for each group. Every piece of music must have the same writer(s) in each group.
From what I understand is that you can only be member at one PRO at the time, or you exempt a region or country.
That is correct.
Absolutely Advice, great advice! I fell for this years ago with the same promise and guess what? Almost nothing came out of it. Fortunately they were all re-titles and non-exclusive so I still retained the music.
I have to strongly disagree with that. It is theft and total disrespect for their business.
I agree with you Advice. RMcGravey90 position is very misguided. We have composers complaining about being mistreated by other entities and yet are willing to participate in the same behavior. Not cool!
Try this link. Lots of discussions on Beatstars.
Weird as AdRev doesn’t charge me anything to just collect the streaming income. No claiming.
This question has been asked many, many times before. Libraries really need a cross section of music in all genres. There may be some out there but it would be a rare exception. There are libraries that specialize in trailer music but they will most likely be exclusive.
Pay to Play. Never a good idea in my experience.
Please re-post this to here https://musiclibraryreport.com/a-to-a/apm-music/.
That is probably because BMI doesnt use fingerprint tracking?
They do not for TV but they do for radio commercials and they use Numerator/Competitrack for TV commercials. I don’t know how Numerator tracks but lately my Numerator airings are very close to what Tunesat is detecting.
Gema tells me I have to add the retitled name to the original name thus making the retitler my sole publisher for this track with 2 titles and this publisher (won’t say who) wants worldwide publishing rights. Makes sense now?
Ah, got it. Has to do with your PRO requirements. Don’t have that problem with BMI.