Art Munson

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Viewing 15 posts - 2,761 through 2,775 (of 2,941 total)
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  • in reply to: Spam On MLR Forum #7617
    Art Munson
    Keymaster

    Spammers are hitting MLR hot and heavy so I’ve been trying more robust spam tools to keep them at bay. Recently the latest update of the spam plugin has been locking some folks out and causing various hiccups. I just went back to an older version that I think is better. So, patience please.

    Thanks
    Art

    in reply to: Books, Information Resources #7608
    Art Munson
    Keymaster

    Thanks Mark, great post and I just put a link to it in the “Newbie Info”.

    in reply to: International Royalties ? #7574
    Art Munson
    Keymaster

    Yes, congrats Cari!

    in reply to: Library Management Software #7551
    Art Munson
    Keymaster

    Hi Scott, please check this link:
    https://musiclibraryreport.com/tag/relational-database/

    I’ve been working on my relational database for years. It keeps track of everything. Titles, re-titles, lengths, bpm, writers, contacts, etc and they are all inter-related. It’s humongous but I can pull anything I want out of it into a spreadsheet.

    in reply to: PRO, re-titling and publishing – confused foreign newbie. #7541
    Art Munson
    Keymaster

    Is there any logic to submitting a full track (for example) to one library as exclusive, but saving all of the variations (30, 60, drums only, etc.) for non-exclusive use by more than one library?

    I think the library you had the exclusive deal would take issue with that. Most contracts would cover any variations of a track.

    in reply to: PRO disadvantages? #7533
    Art Munson
    Keymaster

    I don’t believe that is an issue with BMI/ASCAP.

    in reply to: PRO disadvantages? #7505
    Art Munson
    Keymaster

    Do I have to pay for my own music when I publish it?

    Sorry but I do not understand that question.

    in reply to: The Wrecking Crew – A Great Film On L.A. Session Musicians #7451
    Art Munson
    Keymaster

    Hi euca, I don’t even know who owns the Bigfoot master now. I should just post it anyway as a number of people are interested in it. Bigfoot was the band that other musicians came to see. It was quite something but like most bands it just blew up and swore me off bands for good!

    in reply to: Sonar X2 #7444
    Art Munson
    Keymaster

    Hi Alan,

    I have 3 swappable drives and 2 internal. Here’s my setup.

    1.) System Drive – Swappable – One drive Win 7, another drive Win XP
    2.) Audio Files – Internal
    3.) Backup of Audio Files – Swappable
    4.) Sample Libraries – Internal
    5.) Extra – Swappable – I use this drive for various chores such as making backups of backups, backing up sample libraries and archiving. I rotate these drives with those I have in a safe deposit box for offsite protection.

    in reply to: The Wrecking Crew – A Great Film On L.A. Session Musicians #7434
    Art Munson
    Keymaster

    Hey Mark, next one here:

    SAN BERNARDINO, CA
    November 11, 2012 3:00PM
    CALIFORNIA THEATRE
    562 W. 4th St.
    San Bernardino, CA 92401

    Q&A with Hal Blaine, Don Randi and Director Denny Tedesco
    Special Guest, Dean Torrence of Jan and Dean
    Tickets: $20 General Admission
    Buy Tickets Online
    Email for VIP Seating

    in reply to: Sonar X2 #7410
    Art Munson
    Keymaster

    One of the things I did when I went Win 7 64 bit was to keep a separate Win XP install on another drive. I have removable drive bays so I just swap to Win XP if I have to go back to older projects.

    I’m having a few quirky bugs also but I’m sure they will get sorted out.

    in reply to: 5 Year Contract. #7393
    Art Munson
    Keymaster

    Does it mean that any music that hasn’t been used reverts back to the writer?

    Only if the contract states so.

    in reply to: PRO disadvantages? #7390
    Art Munson
    Keymaster

    I’m considering signing up for BMI. Can this have any disadvantages for me? Am I still allowed to publish my own music?

    From my point of view no. But some say RF sales might be better with no PRO affiliation.

    PROs have no impact on your publishing rights.

    in reply to: Daily Routines and the Creative Process #7379
    Art Munson
    Keymaster

    AND some guy backed into my car with his pick-up truck at a stop light!

    Ouch! Sorry to hear that Michael.

    in reply to: Daily Routines and the Creative Process #7373
    Art Munson
    Keymaster

    What currently works for me is to try and write every day and not to push it when I do. There are times when it’s only an hour or two but spiritually I always feel better when I can get some writing in at least once a day. I have learned to stop when the ideas stop, trying to push through it has never worked for me. Invariably the next day brings new ideas and a fresh outlook. I don’t remember the last time I had “writers block”.

    In the morning I do my music admin work and whatever home maintenance, gardening (good for the soul!) or other necessary chores. I generally write from about 2:00 PM to 6:00 PM, never past 6:00 though. I’m always plunking around on the guitar when I’m watching TV (thankfully Robin doesn’t mind) and get a lot of ideas there. I have Audacity running on my laptop and will play in any useful ideas for later.

    The most important thing I have learned is to believe in the creative process. If you do, the music will always flow!

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