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Art MunsonKeymaster
Art..how do you modify/edit a reply? I don’t see that option in the forum.
Just checked it as a “subscriber” and there is an edit link right above and to the right of a reply you make. It’s right next to the reply #. As an example your reply number was #5857. Should be just to the left of that.
Art MunsonKeymasterArt..how do you modify/edit a reply? I don’t see that option in the forum.
Only admins can. I think I have to assign rights to logged in users but not sure. I’ll look into it.
Art MunsonKeymasterHmmm, how did you get that early? Tomorrow (6-22-12) is the quarterly distribution date.
Forgot to mention, congrats!
Art MunsonKeymasterHi Chris,
Sorry about your problem but not sure what the problem could be. Please try logging out, clearing your browser cache and try again. Also try another browser. E-mail me through the comments section or PM me.
Art MunsonKeymaster@Elvis Lives. This question gets asked all the time here, that’s why I wrote this blog post. https://musiclibraryreport.com/blog/the-best-music-libraries/
Please read the Newbie Section also.
Art MunsonKeymasterI don’t think you are wrong but I’ve seen these kinds of clauses in a lot of contracts. Never did like them.
Art MunsonKeymasterSame here. 85 tracks, 150 plays, 4 downloads and no sales. Been about three years.
Art MunsonKeymasterArt: Have you had any issues with recent Scripps placements showing up on your Tunesat that are licensed through them?
I do have placements on Design Star also. It’s too bad that this is happening but JP does get a lot of other placements, that do pay, so I guess we have to live with it.
The problem seems to be that some of the production companies produce shows for Scripps as well as PRO paying networks and the libraries feel they have to take the good with the bad. This was relayed to me by Scorekeepers at one point. But, as someone mentioned here, Scoreepers keeps track of Scripp shows and pay the composers. I got a check at the end of last year for those placements. You won’t get rich on it but it’s at least something.
Art MunsonKeymasterYou do not have permission to view this content.
Art MunsonKeymasterThanks Michael, I will go through the videos.
Art MunsonKeymasterThis answer came from Stephen – Craig Aristei over at Linkedin ” It is easy…but if you have trouble…call BMI NY, and ask for licensing….they will help you with the forms…..”
Art MunsonKeymasterTry searching for “Upfront Money” only.
I would venture to say that specifics on contract details and monies would vary from composer to composer.
Art MunsonKeymasterFor some reason the “Comment” box is displaying as a reply to a topic and comments are not displayed in the forum. So, here’s an answer from Big Romme that was inadvertently left as a comment. Thanks to Big Romme for the below answer.
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You should sign up to Art’s website for the answer.
This is called doing your own research.
Everrbody want the easy answer.Pay Art..
Scan through the 400 libraries
Then you decide what is top of production libraries.Bigg Rome loves the kids….
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I might add that there ways to earn free access. See here: https://musiclibraryreport.com/blog/earn-free-access-to-mlr/
Art MunsonKeymasterI went to X1 (Studio) when it came out and it took me a while to get comfortable with it. Using SonarPlus to get rid of the MultiDock really helped me. Some people like it, but to me it was a nuisance. The Scott Garrigus book has also made my life a bit easier.
Recently I opened 8.5 for the first time since upgrading and I was surprised by how cluttered it looked to me. Now that I’m used to X1 I’m happy with it. My own 2 cents.
Art MunsonKeymastergdomeier:
I am unable to login to my tunesat account this afternoon.The login screen just flashes and goes right back to the login screen.
Yep, same here. I find that Sunday can be problematic with Tunesat’s site. I think they may do site maintenance then.
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