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Now listed here https://musiclibraryreport.com/t-to-z/teragram-music/.
Haven’t listened as that link asked me to download. Generally your last note would hit at 29 to 29.5 seconds. I fade whatever is left to a little bit over 30. I hear many commercial where they abruptly cut off the music so don’t overthink it.
Boy, that really sucks. Sorry to hear that cdmarts.
Well, that’s a terrible deal for distribution. There are other distributors out there that do not take any publishing.
I use Level Music. It was free but now they charge $20 a year. I would look for other options than CD Baby.
Lots info on this here. Search for “edits” in the search box. Here is one example:
Cutting my prices NEVER resulted in more units sold, and NEVER resulted in increased revenue.
Yep, been there, done that. Doesn’t work.
Dr. Google says this for PRS and may mean the same for all PROs.
https://www.prsformusic.com/works/registering-works/works-with-a-possible-match-flag
I believe Mark Petrie is doing well with trailer music. Hopefully he will see this thread and jump in.
Try checking with AdRev or Indentifyy.
While I want to submit to libraries and register the songs with BMI and AdRev, I also don’t want to get copyright struck if I use some of the songs for some audiobooks I want to produce (stories written by myself).
If not signed to a library you own all rights to the songs and can do whatever you want to them. A copyright strike would not happen with an audio book if not on YouTube. With AdRev you just whitelist your channel.
Once you get into the world of placing your music with libraries, it all depends on the contract. You will most likely have a freer hand with non-exclusive. Exclusive would most likely be more restrictive. Every library contract is different so read the fine print.