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The Perfect Cue and Catalog

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Ok, Ok, I know there isn’t such a thing as the perfect cue or catalog but Mark at Partners In Rhyme had a great idea for a  topic and that was the best title I could come up with.

In “The Perfect Music Library” topic Mark said: “Along with your suggestion list for library owners maybe  start a discussion of how composers can best build their  catalog and submit their music, what genres are popular,  what types of edits and packages sell well, how to title and  describe your music, etc.”

I would add to that.

1.) Do Mp3s sell better than wav or aiff? Anthony at Music Candy mentioned that Mp3s sell very well, even for  broadcast.

2.) As for edits and lengths: 120, 60, 30, 15, DnB, loops, stings and/or buttons? What’s the best combination?

3.) Structure: Rhythmic intro (some editors cut picture to music) how many sections? Sections in the clear to make it easier to cut? Rhythmic sting ending? Some generalities I know and a very broad brush but something to start the conversation going.

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The Perfect Music Library

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It’s been three months since I started this site. In those three months there have been over 1100 comments from music creators and library owners. Based on those comments and users varying degree of experiences, I started thinking about what the “The Perfect Music Library” would look like.

So here’s some things I would start with (in no particular order):

1.) 50/50 split license fee
2.) Writer retains all the back end PRO monies
3.) No re-titling
4.) Non-Exclusive
5.) Writer can set own sync fee
6.) Submit via upload for acceptance
7.) Once accepted, FTP upload. PLUS, the ability to upload a file to populate the database. No more pointing, scrolling, clicking and then waiting for the page to refresh!
8.) Option for library to create watermarked preview file or upload your own.
9.) Is diligent about cue sheets being filed
10.) If each submission is to be reviewed: There should be a quick way to submit, without filling all the data upfront, only to be told later that the piece was rejected.
11.) Letting you know if a piece is rejected.

I’m sure there are many things I’ve left out, so what would you like to see?

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Chaos Theory Music Licensing

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If you are a composer and/or songwriter, please leave your comments and experiences with this company. We want to hear the good as well as the bad! Please rate, from 1 to 10, by clicking on one of the stars. Below is some general information but we make no guarantee of accuracy. Check with the company for all details. Please contact us for any corrections.

URL: R.I.P.
Twitter:
Facebook:
Accepting Submissions: Yes
Submit Online: No
Submit By Mail: Yes
Submissions Reviewed: Yes
Types Accepted:
  • Vocals
  • Instrumentals
Charge For Submissions: No
Up Front Money:
Royalty Free:
(non-broadcast use)
No
Exclusivity:
(Exclusive, Non, Semi)

(Semi = Free to place on own
but not with another library)
Non-Exclusive
Re-Title: Yes
Set Own Price: No
Contract Length: Unknown
Payment Schedule: Unknown
License Fee Split:
(writer/library)
50/50
PRO Split Based on 100%:
(writer/library
writer/library/publisher
or writer)
50/50
Requires Licensee To File Cue Sheet: Yes
Pays On Blanket License:
YouTube Content ID:
Active Site: No
Offers Subscriptions To Clients:
Notes:
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Mastersource

Rating: 10.0/10. From 1 vote.
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Soundscape Media

Rating: 3.3/10. From 3 votes.
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