Formats for different sites…consistency?

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This topic contains 4 replies, has 5 voices, and was last updated by  Mark_Petrie 3 years, 3 months ago.

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  • #25265 Reply

    Picktunes
    Participant

    I’ve gathered my tracks for submission, and immediately learned that I have to convert my files in order to upload to the first site to 16-bit wav (my .wav files are all 24-bit). No prob converting via iTunes….but….
    Is there a music library standard?
    Do we need several different formats for all our tracks in order to be on various sites?
    So for those of you with ‘multiple site’ residence for their tracks….please chime in!!!

    Thanks,
    Gary

    #25266 Reply

    richmstudios
    Participant

    Hey Pictunes, yes it can get pretty crazy out there. Many libraries are 16bitx44.1kHz; but there’s a wide range of others with different requirements spanning an entire range of bit rates, sample rates and even file types. I haven’t really found a standard if one wants to be competitive, and am still working on how to streamline the conversion process to acommodate all in the least amount of time. I’m also interested in other’s opinions…

    #25267 Reply

    Art Munson
    Keymaster

    All my masters are 48k, 24 (wav) but I also convert a copy to 44.1, 16. That seems to cover most requests except for the occasional 48k, 16 aif,

    #25269 Reply

    Happy Ears
    Participant

    Standard delivery for TV is 16-48k, same as Post audio specs like SFX and dialog. That’s the closest thing to a standard I’ve seen in broadcast. Dub mixer’s format is usually 48k so if u del;over 44.1 it will be Resampled when it goes into the Re Recorder’s session. All this 24 bit stuff is often sales tools used by the same people who will ask you how to convert a MP3 into a 24 bit 48k wave file ha ha ha. I’ve noticed that libraries who deals with mostly single drop licensing is often 16.44.1 and broadcast backend bulk libraries are often 16 48.
    My master format is 16b 48k
    Just my 2 cent.

    #25270 Reply

    Mark_Petrie
    Participant

    These days I’m usually asked to deliver at 48k 24bit, for mastering.

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