Submitting to multiple exclusive libraries

Home Forums Newbie Questions Submitting to multiple exclusive libraries

Viewing 7 posts - 1 through 7 (of 7 total)
  • Author
    Posts
  • #29086
    Abby
    Guest

    I’m assuming the answer to the question is a big NO, but thought I’d ask to be sure…

    I’m preparing a set of 10 tracks to submit to an exclusive library. Is it best professional practice to WAIT for their acceptance (or rejection) before sending off to another exclusive library for consideration?

    Or, are libraries somewhat understanding if you have another set ready to go to offer them, in the event the first batch of tracks got picked up by another library? I don’t want to burn any bridges, but I also have trouble waiting months to hear back…

    thanks for any advice!!

    #29087
    UpFromTheSkies
    Participant

    I send collections out to multiple publishers, and whoever has the best offer/gets back to me gets the tracks!

    #29088
    Art Munson
    Keymaster

    I send collections out to multiple publishers, and whoever has the best offer/gets back to me gets the tracks!

    That’s what I have done also.

    #29090
    BEATSLINGER
    Participant

    I send collections out to multiple publishers, and whoever has the best offer/gets back to me gets the tracks!
    That’s what I have done also.

    I have been doing this as well. There is no harm in gracefully declining the offer for those Tracks/Music, and let them know that you are working on “What you feel is your best work yet” and that you will only submit it to them.. Wink, wink, wink.

    #29091
    abby
    Guest

    Ah, I like that… choosing the best offer from among the libraries, the best one wins! And also a way to gracefully keep the door open, by offering new future tracks only for them..

    thanks everyone! I wasn’t expecting to hear this.

    #29092
    BEATSLINGER
    Participant

    This literally is “War”. They are acting like they (libraries/catalogs/stock music sites) are the only game going, and if we are not with them personally & exclusively; we are missing “The Only Boat”..

    Sure, there is an “influx” of new writers; talented though? “The Real Premium are Quality, and Qualified Writers/Composers!!”

    I keep saying this.. No company in their right mind wants a guy that is composing $5/$10/$15 Cues. As well, the real companies aren’t signing them. We have to stand up for ourselves; and start letting them know “Who’s REALLY Buttering The Bread!!”

    #29095
    abby
    Guest

    yeah, I could agree with that, although it seems like the butter can’t go very far without the bread!

Viewing 7 posts - 1 through 7 (of 7 total)
  • You must be logged in to reply to this topic.
X

Forgot Password?

Join Us