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music library
Kid Gloves Music
If you are a composer and/or songwriter, please leave your comments and experiences with this company. We want to hear the good as well as the bad! Please rate, from 1 to 10, by clicking on one of the stars. Below is some general information but we make no guarantee of accuracy. Check with the company for all details. Please contact us for any corrections. |
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| URL: | http://www.kidglovesmusic.com/ | |
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| Twitter: | ||
| Facebook: | ||
| Accepting Submissions: | Unknown - Contact at website. | |
| Submit Online: | Unknown | |
| Submit By Mail: | Unknown | |
| Submissions Reviewed: | Unknown | |
| Types Accepted: | Unknown | |
| Charge For Submissions: | Unknown | |
| Up Front Money: | Unknown | |
| Royalty Free: (non-broadcast use) |
Unknown | |
| Exclusivity: (Exclusive, Non, Semi) (Semi = Free to place on own but not with another library) |
Unknown | |
| Re-Title: | Unknown | |
| Set Own Price: | Unknown | |
| Contract Length: | Unknown | |
| Payment Schedule: | Unknown | |
| License Fee Split: (writer/library) |
Unknown | |
| PRO Split Based on 100%: (writer/library writer/library/publisher or writer) |
Unknown | |
| Requires Licensee To File Cue Sheet: | Unknown | |
| Pays On Blanket License: | ||
| YouTube Content ID: | ||
| Active Site: | No | |
| Offers Subscriptions To Clients: | ||
| Notes: | ||
Downright Music
If you are a composer and/or songwriter, please leave your comments and experiences with this company. We want to hear the good as well as the bad! Please rate, from 1 to 10, by clicking on one of the stars. Below is some general information but we make no guarantee of accuracy. Check with the company for all details. Please contact us for any corrections. |
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| URL: | http://www.downrightmusic.com | |
|---|---|---|
| Twitter: | ||
| Facebook: | ||
| Accepting Submissions: | No | |
| Submit Online: | No | |
| Submit By Mail: | No | |
| Submissions Reviewed: | Unknown | |
| Types Accepted: | Unknown | |
| Charge For Submissions: | Unknown | |
| Up Front Money: | Unknown | |
| Royalty Free: (non-broadcast use) |
No | |
| Exclusivity: (Exclusive, Non, Semi) (Semi = Free to place on own but not with another library) |
Unknown | |
| Re-Title: | Unknown | |
| Set Own Price: | Unknown | |
| Contract Length: | Unknown | |
| Payment Schedule: | Unknown | |
| License Fee Split: (writer/library) |
Unknown | |
| PRO Split Based on 100%: (writer/library writer/library/publisher or writer) |
Unknown | |
| Requires Licensee To File Cue Sheet: | Yes | |
| Pays On Blanket License: | ||
| YouTube Content ID: | ||
| Active Site: | No | |
| Offers Subscriptions To Clients: | ||
| Notes: | ||
The Perfect Cue and Catalog
Ok, Ok, I know there isn’t such a thing as the perfect cue or catalog but Mark at Partners In Rhyme had a great idea for a topic and that was the best title I could come up with.
In “The Perfect Music Library” topic Mark said: “Along with your suggestion list for library owners maybe start a discussion of how composers can best build their catalog and submit their music, what genres are popular, what types of edits and packages sell well, how to title and describe your music, etc.”
I would add to that.
1.) Do Mp3s sell better than wav or aiff? Anthony at Music Candy mentioned that Mp3s sell very well, even for broadcast.
2.) As for edits and lengths: 120, 60, 30, 15, DnB, loops, stings and/or buttons? What’s the best combination?
3.) Structure: Rhythmic intro (some editors cut picture to music) how many sections? Sections in the clear to make it easier to cut? Rhythmic sting ending? Some generalities I know and a very broad brush but something to start the conversation going.
Nervous Records Cyf
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