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In my view you would be better off sending them what you are pitching.
Generally speaking the library would register the song with your PRO if they are collecting the publishing income. Registered or not the song will get picked up off of the cue sheet anyway (if it’s on the cue sheet correctly).
Barbie:
Art, just checking if you can add me to this thread since for some reason I’m not getting any emails re AudioSparx or other threads that I like to follow.Thanks!Barbie
Hi Barbie,
Sorry for the problem.
I’ve checked everything on this end an all seems to be working. I’m not hearing any other complaints of others not receiving follow-up e-mails from the forum or comment subscriptions.
Please check with Audiosparx’s ISP and see if MLR is being blocked for some reason (that can happen if someone decides to file a complaint at the DNS level). There may be other security implementations on AS’s end that are blocking the e-mails.
If anyone else is having problems please let me know as this may be an ongoing problem that I should know about.
Thanks!
Art
FYI. For those of you who are not up to speed on the YouTube Content ID system please read https://musiclibraryreport.com/youtube-music/youtube-content-id-program/
Paul:
This may sound ridiculous to you, but the other reason is that I’m starting to produce a number of hard rock/metal pieces and some people MAY have a problem with this.Think conservative idealogues.There are corners of this country (US) that are so conservative it’s scary.At least to me anyway.
Great point Pat!
johnfrancis:
Hi Art, I’m 5 pages into the thread called Retitling and it seems to be about retitling work that is in exclusive libraries. And then there’s the non-exclusive libraries’ own retitling of work that they can obtain publishing rights for.Can I simply ask:
Even if the library I use retitles my work elsewhere, is there anything legally wrong with me retitling my own work for other non-exclusive libraries?Or is there something else I’m missing?
You need to keep reading to grasp all of the implications. I for one have no problem with re-titling my music for different libraries and/or situations but many others would vigorously differ with me.
guscave: I have direct deposit. The money goes in a day before the statements go out from BMI.
I have direct deposit also but mine shows up on the day of distribution.
BMI deposit just hit my bank account and a nice bump from last quarter, best one to date. Hope everyone did equally well!
johnfrancis:
Can I get anybody’s advice about retitling my work and submitting it to other libraries? Are there any things I need to think about beforehand? We are talking about royalty free cues that I own in this context.
Please got the Newbies section and read the various links on re-titling. https://musiclibraryreport.com/blog/newbie-info/#more-4537
Art..how do you modify/edit a reply? I don’t see that option in the forum.
Just checked it as a “subscriber” and there is an edit link right above and to the right of a reply you make. It’s right next to the reply #. As an example your reply number was #5857. Should be just to the left of that.
Art..how do you modify/edit a reply? I don’t see that option in the forum.
Only admins can. I think I have to assign rights to logged in users but not sure. I’ll look into it.
Hmmm, how did you get that early? Tomorrow (6-22-12) is the quarterly distribution date.
Forgot to mention, congrats!
Hi Chris,
Sorry about your problem but not sure what the problem could be. Please try logging out, clearing your browser cache and try again. Also try another browser. E-mail me through the comments section or PM me.
@Elvis Lives. This question gets asked all the time here, that’s why I wrote this blog post. https://musiclibraryreport.com/blog/the-best-music-libraries/
Please read the Newbie Section also.
I don’t think you are wrong but I’ve seen these kinds of clauses in a lot of contracts. Never did like them.