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thanks Gary it was indeed very helpfull
all the best
Just found this excelelnt topic, so apologies for the late reply.
Like GarW I had a Pro souncloud account, however I found that people would only listen to the first 5-8 on the main page anyway, so I reverted to standard.
Getting people there through social to listen to a particular track however is a different thing and it does work.
I’ve been pplaying with a Twitter account for a while but I’d like to hear from GaryW on how he got people to follow him on twitter, us not being reality show stars and all that 🙂
before uploading I have been converting through editing software to 4800/24 bit
You are not achieving anything except increasing your file size. It will not increase the sonic quality. If I’m wrong someone will quickly correct me! 🙂
We don’t get into “Pay To Play” sites on MLR. It’s a long story that created way more controversy than I was willing to deal with.
Depends on your financial situation. I’ve seen prices as low as $100 per song. Personally I would avoid it as I prefer to keep my copyrights.
I can’t see that as being a problem.
BIGG ROME, thanks for that but this thread needed to be under the JP library listing. You had also used the library’s name specifically in the topic which I’ve asked folks not to do (since changed by me). In the future please put any questions or comments, dealing with a library, in the library listing. My bad as I did not catch it in time (trying to do too many things at once!).
To repeat:
Specific music library questions
Just a reminder that the forum is not a place for any specific music library related questions. Please ask them under a particular library’s listing. It’s the only way to build a knowledge base of composer’s experiences. Any forum questions about a particular library will be deleted.
I tried e-mailing you but you left a bogus e-mail address.
Thank you
Art
+1 euca!
Yup, same here.
What if, at some point, you wanted to sell your catalog or a big paying client wanted one of those songs exclusively?
My advice, look at the situation very closely and be careful what you walk away from.
Very true MichaelL and much better advice than mine!
Personally, I would never give up a copyright for $200 but someone else might feel differently.
Bah, humbug! 🙂
I might add that we were all confronted with the tediousness of it when we first started but have learned to adapt. 🙂
Hi Chris,
There was one a few years ago called ISYNDICA but they went belly up after a year or so. I think there are just too many formats, too many libraries and not enough composers willing to pay for it.