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“Art I use ADREV tell me more about why I should switch.”
They pay a fraction of what Identifyy pays out. That’s been my experience.
He did but I don’t remember. I know that one of his clients is a library. Let me modify my original comment: he shoots between 9-10 LUFS
I took my tip from a longtime friend composer/mastering engineer, of many decades.
I built ours with WordPress and a number of plugins.
This one might be a single solution plugin. https://wordpress.org/themes/edigital/
@angopo: It’s a long story but basically I started with them before they implemented that requirement.
Ah, ACID. Remember it well, those were the days!
I’d like to think that we as artists/composers/humans will always find a way around obstacles. The old phrase “adapt or die” comes to mind. We somehow find a way of doing just that.
What confuses me is the definition of “published”. If I release music through our publishing company and record label, isn’t that considered published? Seems a bit murky the way the Copyright Office explains it.
You should read through this Chuck https://musiclibraryreport.com/forums/topic/identifyy/
Mine were up from last statement but down from the statement before that. My first quarter payments always pay the most.
Located here: https://musiclibraryreport.com/e-to-g/flexitracks-music/
BMI account number is NOT the same as your IPI/CAE#.
Sync Academy is mentioned here a number of times:
BTW, that thread is less than two years old and covers “How To Courses” in general. In my mind it would still be relevant today.
You can find some examples here:
https://www.lawinsider.com/clause/direct-license-agreementPrevious discussions on MLR here (Scroll past the ads):
Direct LicensingI would get those removed first or don’t submit those particular ones to Identifyy until you get them removed by the library.