Art Munson

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Viewing 15 posts - 2,596 through 2,610 (of 2,930 total)
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  • in reply to: Is a library allowed to add instruments to track? #9561
    Art Munson
    Keymaster

    Have you tried contacting them to ask the question?

    in reply to: Dealing With Incompetent Libraries #9560
    Art Munson
    Keymaster

    If you think there’s enough money there then a letter from an attorney may be the answer.

    in reply to: selling melodies #9554
    Art Munson
    Keymaster

    I haven’t heard of any.

    in reply to: What's your flow? #9547
    Art Munson
    Keymaster

    I do a master mix, DnB, bed, loop and stinger/bumper. I build my 15, 30 and 60s from the master mix. If I needed to I could grab something from the DnB or bed.

    Here’s a couple of links for more insight.

    How Long To Write A Cue?

    The Perfect Cue and Catalog

    in reply to: Sound recording income splits #9499
    Art Munson
    Keymaster

    Over the top for my taste but then again you would have to consider the library and their past successes. BTW, you need a lawyer, I’m not one. Just my two cents worth.

    in reply to: Sound recording income splits #9495
    Art Munson
    Keymaster

    If I understand your question.

    Sound Recording = MECHANICAL INCOME

    Mechanical royalties is money paid by a company to a song’s copyright holder for the right to use the song in “devices serving to reproduce the composition mechanically,” in other words, vinyl, cassettes and compact discs.

    Pro Split (50% Writer Income 50% Publishing Income) = PUBLIC PERFORMANCE

    Any time (well almost) a version of a song is performed publicly, whether live or on record, in concert or over radio or television, the copyright holder is entitled to public performance royalties.

    Publisher Split May Mean – SYNCHRONIZATION

    A synchronization license is a permit to use a song in a movie or television show. The producer must obtain a “synch license” from the copyright holder, often for a one time fee.

    In your case you, as the copyright holder, are assigning those rights to the library. Either exclusively or non-exclusively depending on your contract.

    Art Munson
    Keymaster

    Just listed them here. https://musiclibraryreport.com/h-to-l/heavy-harmony-library/. Please leave any comments there.

    Thanks for the heads up!

    in reply to: PRS and SESAC #9473
    Art Munson
    Keymaster

    Okay, found it. Your first reply was stuck in the “pending” folder and that’s why you could not repeat it. I released the “pending” reply just now.

    in reply to: PRS and SESAC #9454
    Art Munson
    Keymaster

    @Traveler. Try clearing your browser cache and cookies.

    in reply to: 1% Ownership for sync & master fee #9451
    Art Munson
    Keymaster

    Oh yeah, the gotcha is to get it on the gross, not after expenses! From what I understand films will typically write off anything and everything.

    in reply to: 1% Ownership for sync & master fee #9450
    Art Munson
    Keymaster

    That’s really a personal decision on whether you think the potential is there but I wouldn’t give it to him/her exclusively.

    in reply to: funky offer #9447
    Art Munson
    Keymaster

    Thanks for the heads up. Please post any further responses here:

    Lab Hits

    in reply to: Bass player infractions #9442
    Art Munson
    Keymaster

    Hey, I know that guy! 🙂

    in reply to: HL and BJ Are They The Same Company? #9429
    Art Munson
    Keymaster

    Thanks Advice. Yeah “pay to play” is a big hassle as those companies are very touchy about their business model. I don’t have the time or energy to fight off their lawyers!

    in reply to: HL and BJ Are They The Same Company? #9427
    Art Munson
    Keymaster

    Don’t know who you are referring to. Best to go to the actual library listing and leave your question there. There are a number of ways to gain free access.

    Earn Free Access To MLR

Viewing 15 posts - 2,596 through 2,610 (of 2,930 total)
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